William Shakespeare: OthelloNick Potter, Nicholas Potter Columbia University Press, 2000 - 192 páginas "Othello" is perhaps Shakespeare's most troublesome tragedy. While it has retained its popularity on the stage, many critics have struggled to come to terms with it. The Romantics warmed to the figure of Othello himself and wrung their hands over the plight of Desdemona; the Modernists looked down on the play as an achievement of Shakespeare's stagecraft rather than of his imagination. Excerpting and discussing the critical history of the play from the earliest pronouncements to present-day criticism, this guide does justice to the variety of opinion and points out significant themes and recurring critical concerns, without glossing over the ugly racism of many critical accounts and the inadequacy of many attempts to face up to the issues raised by the play. |
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William Shakespeare: Othello Nick Potter,Nicholas Potter,Nicolas Tredell Pré-visualização indisponível - 2000 |
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A. C. Bradley absurd action argument attempt audience beauty believe body Brabantio Bradley Bradley's Brian Vickers Cambridge Cassio Cavell century character Coleridge Comedy critical Cyprus Desdemona Devil Dowden drama Elizabethan Emilia Empson English essay evil expression feeling fool Gildon Hamlet Handkerchief Hazlitt heart heaven hero History honest honour human husband Iago Iago's Ibid idea imagination interest Jacobean Jago jealous jealousy kind King Lear Leavis Leavis's London Macbeth marriage mean Michael Cassio Moor moral murder nature never night noble novel Othello Othello's mind passion perhaps picture pity play's Poet poetic poetry reader reason Roderigo romantic romantic love Rymer scene seems sense sexual Shakespeare Survey Shakespearean Tragedy Shakspere soldier soul speak speech suggested T.S. Eliot theatre thee things Thomas Rymer thou thought tion tragic Tyburn University Press Venetian Venice villain virtue wife Wilson Knight woman word Zimansky