Playing LearNick Hern Books, 2003 - 211 páginas The book is both an in-depth analysis of the play, in which Davies looks at the many possible interpretations of both play and character, and a rehearsal diary in which we see the author's personal journey through the role, from when he played Lear for the Almeida Theatre in 2002. |
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Índice
First Reading | 14 |
Second Readings | 33 |
Lears in Performance | 64 |
Acting in Shakespeare | 78 |
Preliminaries | 94 |
MidPeriod | 124 |
Resolution | 146 |
ΙΟ A Conversation with the Director | 161 |
Appendix | 185 |
Production Credits | 201 |
Palavras e frases frequentes
abdication ACTING IN SHAKESPEARE actor Albany Almeida anger argues audience become Brian Cox character Cordelia Coriolanus Cornwall critics curse daughters David Hare David Ryall demented difficult director Dover Beach Edgar Edmund emotional father feel film finally Foakes Fool Gielgud give Gloucester Gloucester's Goneril Goneril and Regan Hamlet heath human Ian Holm Ian McDiarmid idea irony Jacobean James Frain John Barton Jonathan wants Kent King Lear kingdom laugh Lear says Lear seems lines London look Macbeth Michael MID-PERIOD nature never night Olivier Oswald Othello Oxford Paul Paul Shelley performance perhaps PLAYING LEAR plot Poor problem production Quarto rage rain reason REHEARSAL DIARY run-through scene second half SECOND READINGS sense Shakespeare soliloquy speech stage storm talking tell theatre There's things thou thought Tom Hollander tragedy turn understand verse voice Wolfit word