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The ancient MaEiner earnestly enreateth the Her

mit to shrive him; and the penance of life falls on him.

And ever and anon throughout his future life an agony constraineth him to travel

from land to land,

I moved my lips-the Pilot shriek'd.
And fell down in a fit;

The holy Hermit raised his eyes,
And pray'd where he did sit.

I took the oars: the Pilot's boy,
Who now doth crazy go,

But in the garden-bower the bride
And bride-maids singing are:
And hark! the little vesper-bell,
Which biddeth me to prayer.

O Wedding-Guest! this soul hath been
Alone on a wide wide sea:

Laugh'd loud and long, and all the So lonely 'twas, that God himself

while

His eyes went to and fro.
"Ha! ha!" quoth he, " full plain I see,
The Devil knows how to row."

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pass, like night, from land to land;
I have strange power of speech;
That moment that his face I see,

I know the man that must hear me :
To him my tale I teach.

Scarce seemed there to be.

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He went like one that hath been
stunn'd,

What loud uproar bursts from that And is of sense forlorn,

door!

The wedding-guests are there:

A sadder and a wiser man
He rose the morrow morn.

And to teach, by his own example, love and rever ence to all things that God made and loveth.

Christabel.

PREFACE.*

at either of the former periods, or if even the first and second part had been published in the year 1800, the impression of its originality would have been much greater than I dare at present expect. But THE first part of the following poem was written in for this, I have only my own indolence to blame. the year one thousand seven hundred and ninety- The dates are mentioned for the exclusive purpose seven, at Stowey in the county of Somerset. The of precluding charges of plagiarism or servile imi second part, after my return from Germany, in the tation from myself. For there is amongst us a set of year one thousand eight hundred, at Keswick. Cum-critics, who seem to hold, that every possible thought berland. Since the later date, my poetic powers and image is traditional; who have no notion that there have been, till very lately, in a state of suspended animation. But as, in my very first conception of the tale, I had the whole present to my mind, with the wholeness, no less than with the loveliness of a vision, I trust that I shall yet be able to embody in verse the three parts yet to come.

It is probable, that if the poem had been finished

To the edition of 1816.

are such things as fountains in the world, small as well as great; and who would therefore charitably derive every rill they behold flowing, from a perfora tion made in some other man's tank. I am confident, however, that as far as the present poem is concerned, the celebrated poets whose writings I might be sus pected of having imitated, either in particular pas sages, or in the tone and the spint of the whole, would be among the first to vindicate me from the

charge, and who, on any striking coincidence, would permit me to address them in this doggrel version of two monkish Latin hexameters.

"Tis mine and it is likewise yours;
But an' if this will not do.

Let it be mine, good friend! for I
Am the poorer of the two.

I have only to add that the metre of the Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four. Nevertheless this occasional variation in number of syllables is not introduced wantonly, or for the mere ends of convenience, but in correspondence with some transition, in the nature of the imagery or passion.

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The lady sprang up suddenly,
The lovely lady, Christabel

It moan'd as near, as near can be,
But what it is, she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak-tree.

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady's cheek-
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!

She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Drest in a silken robe of white,

That shadowy in the moonlight shone':
The neck that made that white robe wan,
Her stately neck, and arms, were bare;
Her blue-vein'd feet unsandall'd were,
And wildly glitter'd here and there
The gems entangled in her hair.
I guess, 'twas frightful there to see
A lady so richly clad as she-
Beautiful exceedingly!

Mary mother, save me now!

(Said Christabel), And who art thou?
The lady strange made answer meet,
And her voice was faint and sweet:-
Have pity on my sore distress,

I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!
Said Christabel, How camest thou here?

And the lady, whose voice was faint and sweet, Did thus pursue her answer meet:

My sire is of a noble line,

And my name is Geraldine:

Five warriors seized me yestermorn,

Me, even me, a maid forlorn:

They choked my cries with force and fright,

And tied me on a palfrey white.

The palfrey was as fleet as wind,

And they rode furiously behind.

They spurr'd amain, their steeds were white; And once we cross'd the shade of night.

As sure as Heaven shall rescue me,

I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey's back,
A weary woman, scarce alive.

Some mutter'd words his comrades spoke
He placed me underneath this oak,

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The lady wiped her moist cold brow, And faintly said, " "T is over now!"

Again the wild-flower wine she drank:
Her fair large eyes 'gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright;
She was most beautiful to see,
Like a lady of a far countrée.

And thus the lofty lady spake-
All they, who live in the upper sky,
Do love you, holy Christabel !

And you love them, and for their sake
And for the good which me befell,
Even I in my degree will try,
Fair maiden! to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.

Quoth Christabel, So let it be! And as the lady bade, did she. Her gentle limbs did she undress, And lay down in her loveliness.

But through her brain of weal and woe
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline
To look at the Lady Geraldine.

Beneath the lamp the lady bow'd,
And slowly roll'd her eyes around;
Then drawing in her breath aloud,
Like one that shudder'd, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropt to her feet, and full in view,
Behold! her bosom and half her side-
A sight to dream of, not to tell!

O shield her! shield sweet Christabel

Yet Geraldine nor speaks nor stirs ;
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly as one defied
Collects herself in scorn and pride,
And lay down by the Maiden's side!-
And in her arms the maid she took,
Ah well-a-day!

And with low voice and doleful look
These words did say

In the touch of this bosom there worketh a spell,
Which is lord of thy utterance, Christabel !
Thou knowest to-night, and wilt know to-morrow
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,

For this is alone in Thy power to declare,

That in the dim forest

Thou heardest a low moaning,

And foundest a bright lady, surpassingly fair:
And didst bring her home with thee in love and in

charity,

To shield her and shelter her from the damp air.

THE CONCLUSION TO PART 1.

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak-tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resign'd to bliss or bale-
Her face, O call it fair, not pale!

And both blue eyes more bright than clear,
Each about to have a tear.

With open eyes (ah woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet I wis,
Dreaming that alone, which is-
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak-tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady's prison.
O Geraldine! one hour was thine-
Thou 'st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel

Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o'er her eyes; and tears she sheds-
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, 't is but the blood so free,
Comes back and tingles in her feet.
No doubt, she hath a vision sweet :
What if her guardian spirit 't were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all!

PART II.

EACH matin-bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,

When he rose and found his lady dead:
These words Sir Leoline will say,
Many a morn to his dying day!

And hence the custom and law began,
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five-and-forty beads must tell
Between each stroke-a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.

Saith Bracy the bard, So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch's Lair
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons' ghosts are pent,
Who all give back, one after t' other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

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She forthwith led fair Geraldine To meet her sire, Sir Leoline.

The lovely maid and the lady tall
Are pacing both into the hall,
And, pacing on through page and grom
Enter the Baron's presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady's tale,
And when she told her father's name,
Why wax'd Sir Leoline so pale,
Murmuring o'er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth,
And constancy lives in realms above,
And life is thorny; and youth is vain:
And to be wroth with one we love,
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart's best brother:
They parted-ne'er to meet again!
But never either found another
To free the hollow heart from paining-
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,

The marks of that which once hath been
Sir Leoline, a moment's space,
Stood gazing on the damsel's face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

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