The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 25
... Africa " and " the African . " We can appreciate how Okri emphasises this idea . He uses the Exhibition at the Ebony gallery , the " present , " as a peg to unfold a metaphor and to develop an instructive lesson on the evolution of African ...
... Africa " and " the African . " We can appreciate how Okri emphasises this idea . He uses the Exhibition at the Ebony gallery , the " present , " as a peg to unfold a metaphor and to develop an instructive lesson on the evolution of African ...
Página 28
... African art by the African authorities themselves . Furthermore , to magnify this effectively , the narrator informs us about the final destination of two of Omovo's works . On the one hand , the drawing Related Losses was used as the ...
... African art by the African authorities themselves . Furthermore , to magnify this effectively , the narrator informs us about the final destination of two of Omovo's works . On the one hand , the drawing Related Losses was used as the ...
Página 29
not only one big bag for " African art " but rather a bag made of different pockets that can hold different African artistic trends and movements . Hence , we have to pay heed to the fact that " African " is a two - or - more- edged ...
not only one big bag for " African art " but rather a bag made of different pockets that can hold different African artistic trends and movements . Hence , we have to pay heed to the fact that " African " is a two - or - more- edged ...
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THE ATLANTIC LITERARY REVIEW | 7 |
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American artistic authority becomes belonging body British called Canada Canadian characters Chinese colonial comes condition construction created critics Cuban cultural death describes discourse English ethnic exile experience face fact fall feel female fiction figure finally give global hand human hybridity idea identity important India individual interest issue Italy kind land language later literary literature lives London look means memory mother move multiple myths Naipaul narrative narrator native nature never notes novel offers origin passage past play poet poetry political position possible postcolonial present protagonist reality reference relation relationship represents role Rushdie seems sense situation social society space spirit story studies tradition turn University vision Western woman women writing York