The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 106
... Christian state in Waiting for the Barbarians . The narrator simply talks of " rites " being performed ( 54 ) ; he also refers to " temples " in the capital town ( 16 ) . On one occasion , though , he mentions a " “ belfry ” ( 136 ) and ...
... Christian state in Waiting for the Barbarians . The narrator simply talks of " rites " being performed ( 54 ) ; he also refers to " temples " in the capital town ( 16 ) . On one occasion , though , he mentions a " “ belfry ” ( 136 ) and ...
Página 109
... Christian frame . But in What the Crow Said he also includes the Christian and local myths to a remarkable extent , which has been noted by Peter Thomas and Ann Mondal . ' As What the Crow Said seeks to bridge the gulf between the ...
... Christian frame . But in What the Crow Said he also includes the Christian and local myths to a remarkable extent , which has been noted by Peter Thomas and Ann Mondal . ' As What the Crow Said seeks to bridge the gulf between the ...
Página 106
... Christians ( both Protestants and Catholics ) comprise less than 8 % of India's total population , they are more often ... Christian institutions and convents in India provide Indians access to join a burgeoning middle - class fluent THE ...
... Christians ( both Protestants and Catholics ) comprise less than 8 % of India's total population , they are more often ... Christian institutions and convents in India provide Indians access to join a burgeoning middle - class fluent THE ...
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R J Ellis | 38 |
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American artistic authority becomes belonging body British called Canada Canadian characters Chinese colonial comes condition construction created critics Cuban cultural death describes discourse English ethnic exile experience face fact fall feel female fiction figure finally give global hand human hybridity idea identity important India individual interest issue Italy kind land language later literary literature lives London look means memory mother move multiple myths Naipaul narrative narrator native nature never notes novel offers origin passage past play poet poetry political position possible postcolonial present protagonist reality reference relation relationship represents role Rushdie seems sense situation social society space spirit story studies tradition turn University vision Western woman women writing York