The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 96
... characters are mistaken in their expectations of deliverance from the desert . The inverted triangle represents , in fact , pressure on the apex from all that is contained in the triangle above pressure instead of deliverance . In this ...
... characters are mistaken in their expectations of deliverance from the desert . The inverted triangle represents , in fact , pressure on the apex from all that is contained in the triangle above pressure instead of deliverance . In this ...
Página 186
... characters being all alike . Alexander's characters do not exclude their identities but incorporate what they learn from each other and reconfigure the familiar terms of nationalism . Note 1. The title is taken from The Shock of Arrival ...
... characters being all alike . Alexander's characters do not exclude their identities but incorporate what they learn from each other and reconfigure the familiar terms of nationalism . Note 1. The title is taken from The Shock of Arrival ...
Página 172
... characters also become very active . In contrast , Roy's characters have lost their agency . Certainly , her mimicking copies , like Rushdie's , perform the function of ironical look- alikes to the British . A potential is found here ...
... characters also become very active . In contrast , Roy's characters have lost their agency . Certainly , her mimicking copies , like Rushdie's , perform the function of ironical look- alikes to the British . A potential is found here ...
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THE ATLANTIC LITERARY REVIEW | 7 |
Viorica Patea | 15 |
R J Ellis | 38 |
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American artistic authority becomes belonging body British called Canada Canadian characters Chinese colonial comes condition construction created critics Cuban cultural death describes discourse English ethnic exile experience face fact fall feel female fiction figure finally give global hand human hybridity idea identity important India individual interest issue Italy kind land language later literary literature lives London look means memory mother move multiple myths Naipaul narrative narrator native nature never notes novel offers origin passage past play poet poetry political position possible postcolonial present protagonist reality reference relation relationship represents role Rushdie seems sense situation social society space spirit story studies tradition turn University vision Western woman women writing York