The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 81
... finally puts around Gemma's neck , a " heavy gold collar , on which was embossed a frieze of artistic if orgiastic couplings " ( LS 221 ) , which digs painfully into Gemma's neck and can only be removed by cutting off her head , thus ...
... finally puts around Gemma's neck , a " heavy gold collar , on which was embossed a frieze of artistic if orgiastic couplings " ( LS 221 ) , which digs painfully into Gemma's neck and can only be removed by cutting off her head , thus ...
Página 125
... finally arrives at the house of the first - person narrator , whose parents Ameer and Vivvy are the last parents to accept her as their child . This multiplication of parentage in Midnight's Children , as well as in The Ground Beneath ...
... finally arrives at the house of the first - person narrator , whose parents Ameer and Vivvy are the last parents to accept her as their child . This multiplication of parentage in Midnight's Children , as well as in The Ground Beneath ...
Página 128
... finally also a hoof . The narrator comments on the migrant status of Gibreel and Saladin : Should we even say that these are two fundamentally different types of self ? Might we not agree that Gibreel , [ ... ] — has wished to remain ...
... finally also a hoof . The narrator comments on the migrant status of Gibreel and Saladin : Should we even say that these are two fundamentally different types of self ? Might we not agree that Gibreel , [ ... ] — has wished to remain ...
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African Alexander American Anaya artistic assimilation Aztlán Barbarians becomes Bhabha Bharati Mukherjee Book of Secrets British Canada Canadian Caribbean centre characters Chinatown Chinese Christopher Isherwood colonial construction context critics Cuba Cuban cultural Delhi discourse Elsa Emerson English essay ethnic exile experience feel female fiction Fury Gemma global globalisation Goodbye to Berlin Heaney human hybridity identity immigrant India issue Jade Peony kosmic Kroetsch landscape language Latino literary literature lives London Magistrate Maibelle Malik memory metaphor Midnight's Children Mimic Men Moor's Last Sigh mother multicultural multiple myths Naipaul narrator native nostalgia novel Parsi passage past play poems poet poetry political postcolonial postmodern protagonist racial relationship RELEASED JUST RELEASED Rhodesian role Rushdie Rushdie's Salman Salman Rushdie Satanic Verses Seamus Heaney sense settler social space Spivak story strategies tradition travel narratives University V.S. Naipaul vision Whitman's woman women writing York