The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 42
... story ' construction . This racialized meaning of the phrase " two - story white house " on Our Nig's title page is one I have explored before , as have other critics of Wilson.14 In particular , the juxtaposition of the phrases ' free ...
... story ' construction . This racialized meaning of the phrase " two - story white house " on Our Nig's title page is one I have explored before , as have other critics of Wilson.14 In particular , the juxtaposition of the phrases ' free ...
Página 76
... story , " Mr Fox , " is explicitly suggested . It is used by Gemma to introduce her own story , and her opening words shed a light of ambiguity over what follows : “ I have a story to tell . It's a fairy tale . I love fairy tales , don ...
... story , " Mr Fox , " is explicitly suggested . It is used by Gemma to introduce her own story , and her opening words shed a light of ambiguity over what follows : “ I have a story to tell . It's a fairy tale . I love fairy tales , don ...
Página 203
... story is told in the third person . Some of the story is told in the immediate presence , while the rest is in the past . They are not flashbacks . It is the way the story develops . There is this old woman trying to figure out what ...
... story is told in the third person . Some of the story is told in the immediate presence , while the rest is in the past . They are not flashbacks . It is the way the story develops . There is this old woman trying to figure out what ...
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THE ATLANTIC LITERARY REVIEW | 7 |
Viorica Patea | 15 |
R J Ellis | 38 |
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American artistic authority becomes belonging body British called Canada Canadian characters Chinese colonial comes condition construction created critics Cuban cultural death describes discourse English ethnic exile experience face fact fall feel female fiction figure finally give global hand human hybridity idea identity important India individual interest issue Italy kind land language later literary literature lives London look means memory mother move multiple myths Naipaul narrative narrator native nature never notes novel offers origin passage past play poet poetry political position possible postcolonial present protagonist reality reference relation relationship represents role Rushdie seems sense situation social society space spirit story studies tradition turn University vision Western woman women writing York