The Atlantic Literary Review, Volume 2,Edições 3-4Atlantic Publishers and Distributors, 2001 |
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Página 68
... woman is the femme civilisée of upper - class society - beautiful , polite , graceful , industrious , properly groomed , and , above all , self - controlled : The task confronted by Perrault's model female is to show reserve and ...
... woman is the femme civilisée of upper - class society - beautiful , polite , graceful , industrious , properly groomed , and , above all , self - controlled : The task confronted by Perrault's model female is to show reserve and ...
Página 83
... woman herself accepts that she can only survive through a man . However , binding oneself to a man , whichever way one looks at it , implies paralysis for the woman , and it is interesting to note that even in Hamish First's apparently ...
... woman herself accepts that she can only survive through a man . However , binding oneself to a man , whichever way one looks at it , implies paralysis for the woman , and it is interesting to note that even in Hamish First's apparently ...
Página 138
... woman ? Or was she putting a closure , writing an unexpected end to a marriage that must have seemed to her like fiction ? " ( 124 ) . The narrator can relate to Rukmabhai's dilemma for when she too attempts to exert an independent ...
... woman ? Or was she putting a closure , writing an unexpected end to a marriage that must have seemed to her like fiction ? " ( 124 ) . The narrator can relate to Rukmabhai's dilemma for when she too attempts to exert an independent ...
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American artistic authority becomes belonging body British called Canada Canadian characters Chinese colonial comes condition construction created critics Cuban cultural death describes discourse English ethnic exile experience face fact fall feel female fiction figure finally give global hand human hybridity idea identity important India individual interest issue Italy kind land language later literary literature lives London look means memory mother move multiple myths Naipaul narrative narrator native nature never notes novel offers origin passage past play poet poetry political position possible postcolonial present protagonist reality reference relation relationship represents role Rushdie seems sense situation social society space spirit story studies tradition turn University vision Western woman women writing York