Blackwood's Magazine, Volume 322William Blackwood, 1977 |
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Página 46
... stories by a narrator , comes across very well on television because of the close - ups of the story - teller's expressive face . There is a modern- ised version of this traditional art where the story - teller takes a true event that ...
... stories by a narrator , comes across very well on television because of the close - ups of the story - teller's expressive face . There is a modern- ised version of this traditional art where the story - teller takes a true event that ...
Página 432
... story . The Eskimos sat looking at the ground , they sought to avoid his eye because they did not want to be asked to comment on the story . Eskimos are kindly folk . But Akayak demanded a verdict . He called to a grandmother , " You ...
... story . The Eskimos sat looking at the ground , they sought to avoid his eye because they did not want to be asked to comment on the story . Eskimos are kindly folk . But Akayak demanded a verdict . He called to a grandmother , " You ...
Página 560
... story set in , 389- 398 Norway , story set in , 32-41 Nudist camps , 212-220 PASSING CLOUDS , 1 PATH OF DOOM , THE , by James Harper , 389 Peace Movement , 355 PEGSWORTH : A PRESS - ROOM SKETCH , by Samuel Warren , 296 Peninsular War story ...
... story set in , 389- 398 Norway , story set in , 32-41 Nudist camps , 212-220 PASSING CLOUDS , 1 PATH OF DOOM , THE , by James Harper , 389 Peace Movement , 355 PEGSWORTH : A PRESS - ROOM SKETCH , by Samuel Warren , 296 Peninsular War story ...
Índice
Contents | 49 |
SEASONING | 465 |
AFRICA AND THE WHITE MEN BY MARJORIE CAMPBELL WATT | 559 |
Direitos de autor | |
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