Shakespeare's Comedy of LoveRoutledge, 11/10/2013 - 288 páginas First published in 1987. |
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Página 5
... Midsummer Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
... Midsummer Night's Dream 89 6 The Merchant of Venice 117 7 Much Ado About Nothing 151 8 As You Like It 185 9 Twelfth Night 10 Conclusion : beyond Twelfth Night 221 255 Acknowledgements I am grateful for the help and encouragement of.
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... Midsummer Night's Dream is to court frustration ; to neglect it in Much Ado About Nothing is to miss half the play . Even within particular plays the ground keeps changing : much of the dramatic life of a play like As You Like It ( as I ...
... Midsummer Night's Dream is to court frustration ; to neglect it in Much Ado About Nothing is to miss half the play . Even within particular plays the ground keeps changing : much of the dramatic life of a play like As You Like It ( as I ...
Página 18
... Mid- summer Night's Dream or As You Like It , the manner of the play throughout is sufficiently stylized to remind us that it is a work of literary and theatrical artifice.16 The play is , even for a Shake- spearian comedy , unusually ...
... Mid- summer Night's Dream or As You Like It , the manner of the play throughout is sufficiently stylized to remind us that it is a work of literary and theatrical artifice.16 The play is , even for a Shake- spearian comedy , unusually ...
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Página 88
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Índice
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Palavras e frases frequentes
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision