Shakespeare's Comedy of LoveRoutledge, 11/10/2013 - 288 páginas First published in 1987. |
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Página 11
... feeling shot through with more subtle comic irony , a scene in which the focus is on 2 The difference between the characters is summarized by Marion Bodwell Smith , Dualities in Shakespeare ( Toronto , 1966 ) : Antipholus of Syracuse is ...
... feeling shot through with more subtle comic irony , a scene in which the focus is on 2 The difference between the characters is summarized by Marion Bodwell Smith , Dualities in Shakespeare ( Toronto , 1966 ) : Antipholus of Syracuse is ...
Página 11
... feelings , and she does not attempt to revive a dead love . But for Antipholus this rueful , worldly , but perfectly clear advice is transformed into a divine , oracular pronouncement , veiled in mystery : Sweet mistress - what your ...
... feelings , and she does not attempt to revive a dead love . But for Antipholus this rueful , worldly , but perfectly clear advice is transformed into a divine , oracular pronouncement , veiled in mystery : Sweet mistress - what your ...
Página
... feelings may be real enough, but he cannot express them without striking attitudes. Proteus seems at first glance the most introspective and self-aware of the lovers; yet he is the one with the smallest mind, and the narrowest sense of ...
... feelings may be real enough, but he cannot express them without striking attitudes. Proteus seems at first glance the most introspective and self-aware of the lovers; yet he is the one with the smallest mind, and the narrowest sense of ...
Página 29
... feelings , and consequently a self - control , that contrast interestingly with the more emotional absorption in love they express at other times , especially when they are alone . One of the play's fundamental patterns , in fact , is ...
... feelings , and consequently a self - control , that contrast interestingly with the more emotional absorption in love they express at other times , especially when they are alone . One of the play's fundamental patterns , in fact , is ...
Página 30
... feelings ' are never lived through , only announced - often in long , beauti- fully formal passages of verse ' , and for Howard Nemerov ' so ideal is the nature of their worship , that it fixes itself repeatedly on word or image rather ...
... feelings ' are never lived through , only announced - often in long , beauti- fully formal passages of verse ' , and for Howard Nemerov ' so ideal is the nature of their worship , that it fixes itself repeatedly on word or image rather ...
Índice
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Palavras e frases frequentes
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision