Shakespeare's Comedy of LoveRoutledge, 11/10/2013 - 288 páginas First published in 1987. |
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Página 11
... broken out that afternoon ( V . i . 45-8 ) . And when she confesses that her nagging has disrupted the normal rhythms of his life , the Abbess lectures her : In food , in sport , and life - preserving 8 SHAKESPEARE'S COMEDY OF LOVE.
... broken out that afternoon ( V . i . 45-8 ) . And when she confesses that her nagging has disrupted the normal rhythms of his life , the Abbess lectures her : In food , in sport , and life - preserving 8 SHAKESPEARE'S COMEDY OF LOVE.
Página 11
Alexander Leggatt. In food , in sport , and life - preserving rest , To be disturb'd would mad or man or beast . The consequence is , then , thy jealous (its Hath scar'd thy husband from the use of wits . ( V . i . 83-6 ) We know , of ...
Alexander Leggatt. In food , in sport , and life - preserving rest , To be disturb'd would mad or man or beast . The consequence is , then , thy jealous (its Hath scar'd thy husband from the use of wits . ( V . i . 83-6 ) We know , of ...
Página 11
... sport to be a little vain When the sweet breath of flattery conquers strife . ( II . ii . 5-8 , 25-8 ) Her words appear cynical ; but there is an undercurrent of sadness in them , as she tries to make the best of a difficult situation ...
... sport to be a little vain When the sweet breath of flattery conquers strife . ( II . ii . 5-8 , 25-8 ) Her words appear cynical ; but there is an undercurrent of sadness in them , as she tries to make the best of a difficult situation ...
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Índice
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Palavras e frases frequentes
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision