Said,-Here is madam Reason too, Love, when he heard the ungrateful name, BEAUTY FREE. Unthinking Beauty loud complains, That love has loaded her with chains; Old Time, who sees her twist and writhe, Soon cuts her fetters with his scythe; Proud of her liberty and grace, The nymph Love meets and quick accosts; Holding a mirror to her face, Behold, he cries, what freedom costs. LOVE TURNED PAINTER. One day, dear Sarah, with surprise, To view the youthful limner's art, His pencil was a pointed dart, Aveva per dispetto LA BELLEZZA IN LIBERTA. Gemeva la Bellezza D'Amor fra le catene avvinta e oppressa; Il Tempo le si appressa, E colla falce le divide e spezza; Le presenta uno specchio, e poi le Guarda la libertà quanto ti costa. AMORE PITTORE. Un di sorpreso, o Fille, Vidi Amor fanciulletto, Che, squarciata la benda alle pupille, Doppiamente sorpreso rimirai, E la tua imago dipingeva Amore. ORIGINAL POETRY. THE SOUL OF SONG. Where lives the Soul of song? Or where the wanderer's silent footstep falls? Loves it the gay saloon, Where wine and dances steal away the night, And bright as summer noon Burns round the pictured walls a blaze of light? Seeks it the public square, When victory hails the people's chosen son, And loud applauses there From lip to lip in emulous greetings run? Dwells it amid the host, Who bear their crimson banners waving high; Whose first and only boast Draws tears of anguish from the patriot's eye? Follows it on the path, Where the proud conqueror marches to his home, And wearied of his wrath Smiles as he steps beneath the imperial dome? Nor on the conquering host, the gracious boon: But where blue mountains rise Silent and calm amid the upper air, And pure and cloudless skies Bend o'er a world, that lies below as fair; But where uncultured plains Spread far and wide their beds of grass and flowers, And heaven's bright pencil stains Clear gems that roll away in silent showers; But in the depth of woods, Where the slant sunbeam gilds the hoary trees, Glides on the pinions of the evening breeze; But in the broken dell, Where the cripsed ivy curls its tangled vines, Drops with the dew, that in its hollow shines; But in the gulfy cave, Where pours the cascade from the glacier's height, And all its waters wave, Like rainbows, in their luxury of light; There dwells the Soul of song, It flies not to the city's festive halls But loves to steal along, Where the lone wanderer's silent footstep falls. THE PROCLAMATION OF SALADINE. Fui et nihil amplius. The wars of Saladine are ended; P. Now tired of war, with havock sated, He, knowing that his reign is over, Calls to his tent the desert-rover, And bids these warning words be sung. "I Saladine, long Asia's wonder, Now being aged, my sinews failing, "Of birth and parentage most lowly, "Why came, ye'll ask, regret unto him? "But ye will ask why the red torrent Nought shall the fame on which ye prided Then could ye see your realms divided, "Now wherefore does the soldier cherish What gains he by his deeds of violence? "Now here I lie ;-o'er Asia's master J. It was stated in a New York Paper a short time since that the Moon was nearer the Earth at the present time than it has been for 500 years previous. The following lines were suggested by the fact. Mild Queen of light and loveliness, I hail thy nearer smile; for thou Dost love with thy chaste look to bless Perhaps thou 'rt sad, and there's a spell ROY. CRITICAL NOTICES. Westminster Review for April, 1825. The first article in this number treats of the "Law of Libel and Liberty of the Press." It contains much ingenious reasoning which our limits will not permit us to analyze, in support of the following positions, which the reviewers, in conclusion, consider as fully established: "That the law of England, as delivered by its authorized interpreters, the judges, however earnestly the same judges may occasionally disavow this doctrine, prohibits all unfavourable representation with respect to institutions, and with respect to the government and its acts: and, consequently, that if any freedom of discussion is permitted to exist, it is only because it cannot be repressed; the reason why it cannot be repressed, being, the dread of public opinion." The greater part of the reasoning of course relates to public libels. The following extract exhibits the opinion of the reviewers concerning private libels. "In most law books, if we look for a definition of libel, we find nothing but a fiction. Libel is punishable, we are there told, because it tends to provoke a breach of the peace. The person libelled, may, out of resentment, commit the crime of assault against his accuser; it is fit, therefore, that the law should extend its protecting shield over the libeller, and save him from the chance of a broken head, by inflicting upon him a year's imprisonment. A tweak by the nose, according to this doctrine, should be more criminal than any libel, for it is certainly far more likely to provoke the species of retaliation alluded to. Miserable as this fiction is, it has served as a foundation to lawyers for building up the excellent law maxim, 'the greater the truth, the greater the libel. A bad man, it is alleged, is more easily provoked than a good man! and a true accusation, being usually more cutting than a false one, exposes the accuser to a greater hazard of being knocked down! "One might almost as reasonably contend,' says Mr Mence, that it ought to be criminal in point of law for any person to carry money about him, lest it should tempt some scoundrel to pick his pocket or knock his brains out. The punishment in such a case, as the law now stands, would fall upon the thief, instead of the tempter. And the peace would be at least as well secured, and the interests of morality much better consulted, in cases of alleged libel, by punishing not the man who exposes vice and holds it up to deserved infamy; but the man whose vicious conduct is exposed, and who to his crimes has added the farther crime of braving the disgrace, and committing violence upon the person who may justly and meritoriously have exposed him.' "The reader may be curious to learn for what purpose this ludicrous fiction was invented. The purpose was to render libel a penal offence, instead of being merely a civil injury. Had it been classed among private offences, under the head of injuries to reputation, it would have been necessary to prove, in the first place, that an injury had really |