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action Ahab Ahab's American appearance argues become beginning blackness calls cause chapter characters claim comes conceive conception consciousness constitutive continuing Cordelia criticism darkness denied detail Edgar Edmund equal essay ethics evil example existence eyes face fact fair play faith feel finally finds fortune give hand Hawthorne heart historical Hobbes Hobbes's Hobbesian human ideas identity ideological Independence individual intellect Ishmael justice King Lear knowledge Lear's less letter lines live Locke Locke's Lockean look Macbeth markings meaning Melville Melville's mind Moby-Dick nature once passage philosophical play political possibility present principle produced Queequeg question reason reflection relation respect response says seems seen sensation sense Shakespeare side-lined society sometimes speech spirit stands Starbuck suggested symbol theory things thou thought tion truth turn universe values virtue vision whale writers
Melville and the Visual Arts: Ionian Form, Venetian Tint
Douglas Robillard,Kent State University Press,Venetian Tint
Pré-visualização limitada - 1997
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"All Necks are on the Line": Representing History in Nineteenth and ...
Visualização de excertos - 2002