A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 68
... García un- knowingly lies as he repeatedly refers to Jacinta as Lucrecia . A typical scene of García's confusion between Jacinta and Lucrecia takes place at the end of act two , at Lucrecia's balcony . As Lucrecia is the moon ...
... García un- knowingly lies as he repeatedly refers to Jacinta as Lucrecia . A typical scene of García's confusion between Jacinta and Lucrecia takes place at the end of act two , at Lucrecia's balcony . As Lucrecia is the moon ...
Página 69
... García's watch conspicuously sounds on the hour . García curses Father Time ( 1600-1601 ) , who , as Klibansky points out , is Kronos , the Greek god that corresponds to Saturn ( 151-59 ) . Sancha tries to retrieve the watch to show her ...
... García's watch conspicuously sounds on the hour . García curses Father Time ( 1600-1601 ) , who , as Klibansky points out , is Kronos , the Greek god that corresponds to Saturn ( 151-59 ) . Sancha tries to retrieve the watch to show her ...
Página 70
... García . Later , their love inter- est in García provokes feelings of competition , until finally one accuses the other of betraying their friendship and neither of them trusts the other . Their turbulent relationship draws atten ...
... García . Later , their love inter- est in García provokes feelings of competition , until finally one accuses the other of betraying their friendship and neither of them trusts the other . Their turbulent relationship draws atten ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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Outras edições - Ver tudo
A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño