A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 91
... Leonora , retirándose de él " ( preceding v . 1 : " The King in hunting attire and Leonor retreating from him " ) . This initial scene , throughout which the young Neapolitan king Fadrique attempts to woo Leonora de Cardona in spite of ...
... Leonora , retirándose de él " ( preceding v . 1 : " The King in hunting attire and Leonor retreating from him " ) . This initial scene , throughout which the young Neapolitan king Fadrique attempts to woo Leonora de Cardona in spite of ...
Página 97
... Leonora has sought refuge in a sylvan retreat ; her self - characterization as a cazadora evokes Ovid's comparison of Daphne to Diana . The Cardona siblings ' rejection of all that is associated with court life also leads inevitably to ...
... Leonora has sought refuge in a sylvan retreat ; her self - characterization as a cazadora evokes Ovid's comparison of Daphne to Diana . The Cardona siblings ' rejection of all that is associated with court life also leads inevitably to ...
Página 99
... Leonora , whose deference to Fadrique's royalty since the first scene has apparently led her to adopt passive rather ... Leonora becomes much more receptive to the monarch's interest . Tirso again rewrites his Ovidian model here ...
... Leonora , whose deference to Fadrique's royalty since the first scene has apparently led her to adopt passive rather ... Leonora becomes much more receptive to the monarch's interest . Tirso again rewrites his Ovidian model here ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño