A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 108
... Metamorphoses clearly provided Tirso with models for Privar's two romantic plotlines , it soon becomes equally obvi- ous as we follow their development that the Mercedarian has no intention of slavishly following either of his Ovidian ...
... Metamorphoses clearly provided Tirso with models for Privar's two romantic plotlines , it soon becomes equally obvi- ous as we follow their development that the Mercedarian has no intention of slavishly following either of his Ovidian ...
Página 109
... metamorphoses of their own in Privar . By the end of the play , Fadrique has been transformed from a comically over- wrought Ovidian deity into a desirable future husband for Leo- nora and a worthy counterpart to the traditional Apollo ...
... metamorphoses of their own in Privar . By the end of the play , Fadrique has been transformed from a comically over- wrought Ovidian deity into a desirable future husband for Leo- nora and a worthy counterpart to the traditional Apollo ...
Página 110
... Metamorphoses he also draws upon the very nature of metamorphosis itself in those tales for his own dramatic ends . Privar contra su gusto is far more than an inconse- quential love comedy or even yet another prescriptive comedia de ...
... Metamorphoses he also draws upon the very nature of metamorphosis itself in those tales for his own dramatic ends . Privar contra su gusto is far more than an inconse- quential love comedy or even yet another prescriptive comedia de ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño