A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 91
... Ovid offers remedies for love , but they are lengthy " ) . " Clearly , it should not surprise us to discern an Ovidian palimpsest beneath Privar contra su gusto's romantic intrigues . Privar begins with the first of its many ...
... Ovid offers remedies for love , but they are lengthy " ) . " Clearly , it should not surprise us to discern an Ovidian palimpsest beneath Privar contra su gusto's romantic intrigues . Privar begins with the first of its many ...
Página 93
... Ovid tellingly employs animal imagery when describing the god's pursuit of Daphne ( 1.533-39 , 17 ) . Barnard writes : It is true that Ovid identifies Apollo with a dog and Daphne with a hare by means of similes and does not actually ...
... Ovid tellingly employs animal imagery when describing the god's pursuit of Daphne ( 1.533-39 , 17 ) . Barnard writes : It is true that Ovid identifies Apollo with a dog and Daphne with a hare by means of similes and does not actually ...
Página 110
... Ovid's comic epic . Beginning by overtly imitating the myths of Daphne and Apollo and of Diana and Acteon , even while Tirso boldly rewrites those accounts - thereby , we might say , metamorphosing The Metamorphoses he also draws upon ...
... Ovid's comic epic . Beginning by overtly imitating the myths of Daphne and Apollo and of Diana and Acteon , even while Tirso boldly rewrites those accounts - thereby , we might say , metamorphosing The Metamorphoses he also draws upon ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño