A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
No interior do livro
Resultados 1-3 de 27
Página 8
... Renaissance in a number of guises and disguises . The well - known studies of Jean Seznec , Edgar Wind , and Leonard Barkan have given us a comprehensive view of these transforma- tions . Many if not all of these metamorphoses can be ...
... Renaissance in a number of guises and disguises . The well - known studies of Jean Seznec , Edgar Wind , and Leonard Barkan have given us a comprehensive view of these transforma- tions . Many if not all of these metamorphoses can be ...
Página 9
... Renaissance visions of ancient deities . While Lope de Vega sought to reject classical principles in his Arte nuevo de hacer comedias ( New Art of Writing Plays ) , he did so with a thorough knowledge of these principles and with ample ...
... Renaissance visions of ancient deities . While Lope de Vega sought to reject classical principles in his Arte nuevo de hacer comedias ( New Art of Writing Plays ) , he did so with a thorough knowledge of these principles and with ample ...
Página 221
... Renaissance thinkers came to argue for a syncretism , claiming that the pagan philosophers had studied in Egypt with Moses and had gained access to knowledge of the forthcoming revelation . Renaissance Neoplatonists labeled these pagan ...
... Renaissance thinkers came to argue for a syncretism , claiming that the pagan philosophers had studied in Egypt with Moses and had gained access to knowledge of the forthcoming revelation . Renaissance Neoplatonists labeled these pagan ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
13 outras secções não apresentadas
Outras edições - Ver tudo
A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño