A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 219
... allegories was somewhat limited , which explains the practice Lope de Vega de- veloped and Calderón followed of ... allegory that is completely superseded by the idea that myth is a type of Christian revelation in the play from ...
... allegories was somewhat limited , which explains the practice Lope de Vega de- veloped and Calderón followed of ... allegory that is completely superseded by the idea that myth is a type of Christian revelation in the play from ...
Página 220
... allegorical interpretations , and curiously , as in the manner of Biblical exege- ses , the moralizations are not interrelated from one allegory to the next , so that the mythical character that is the devil in one allegory can serve as ...
... allegorical interpretations , and curiously , as in the manner of Biblical exege- ses , the moralizations are not interrelated from one allegory to the next , so that the mythical character that is the devil in one allegory can serve as ...
Página 224
... allegory for the purpose of edification of the faithful , but having no actual reference to the possible validity of the myth as Christian truth . The plot of the first El divino Orfeo employs the Orpheus myth as an allegory of ...
... allegory for the purpose of edification of the faithful , but having no actual reference to the possible validity of the myth as Christian truth . The plot of the first El divino Orfeo employs the Orpheus myth as an allegory of ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño