A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 8
... classical allusions are a commonplace ? And finally what is the function of mythological characters and allusions in ... classical antiquity , the stories of the gods and heroes of Greece and Rome came to be regarded as allegories ...
... classical allusions are a commonplace ? And finally what is the function of mythological characters and allusions in ... classical antiquity , the stories of the gods and heroes of Greece and Rome came to be regarded as allegories ...
Página 9
... classical pantheon : the zodiac , the planets , and even the days of the week were named after the pagan gods . Classical literature and philosophy carried with it almost unsur- passed authority while at European courts monarchs ...
... classical pantheon : the zodiac , the planets , and even the days of the week were named after the pagan gods . Classical literature and philosophy carried with it almost unsur- passed authority while at European courts monarchs ...
Página 137
... classical myth , myth as a social structure , and deception as a form of myth . The first type is instituted by direct references to the classical myth of Ícaro ( Icarus ) and Faetón ( Phaeton ) , along with more oblique references to ...
... classical myth , myth as a social structure , and deception as a form of myth . The first type is instituted by direct references to the classical myth of Ícaro ( Icarus ) and Faetón ( Phaeton ) , along with more oblique references to ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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Outras edições - Ver tudo
A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño