A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 119
... mano , por blanca que es , me derriba dos o tres muelas siquiera como si tuviera yo culpa en que se vaya o no . [ since I fear , and not without reason , that this white hand , for all its whiteness , may still knock out several teeth ...
... mano , por blanca que es , me derriba dos o tres muelas siquiera como si tuviera yo culpa en que se vaya o no . [ since I fear , and not without reason , that this white hand , for all its whiteness , may still knock out several teeth ...
Página 120
... mano of the title : 8 the second is also one of violence uncharacteristic of a woman . When Federico goes to pick up ... mano a Lisarda , y la enseña a todos . ] Sabed que . tiene esta mano , y siendo , como es , tan blanca ...
... mano of the title : 8 the second is also one of violence uncharacteristic of a woman . When Federico goes to pick up ... mano a Lisarda , y la enseña a todos . ] Sabed que . tiene esta mano , y siendo , como es , tan blanca ...
Página 124
... mano comes from the same play , where Melchor apostrophizes on Magdalena's beauty on his first encounter with her : Ventura , palabras deja aplicadas a tu humor , y en esa mano te queda , que es la que he visto no más . ¡ Ay , qué mano ...
... mano comes from the same play , where Melchor apostrophizes on Magdalena's beauty on his first encounter with her : Ventura , palabras deja aplicadas a tu humor , y en esa mano te queda , que es la que he visto no más . ¡ Ay , qué mano ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño