A Star-crossed Golden Age: Myth and the Spanish ComediaFrederick A. De Armas Bucknell University Press, 1998 - 247 páginas This collection of essays grew out of a National Endowment for the Humanities Institute directed by Frederick A. de Armas and contains essays by the director, some of the visiting faculty, and the participants. The book seeks to develop the link between mythology and the comedia through a number of approaches, including astrology, cartomancy, pre-Socratic elemental cosmology, iconography, hagiography, metamorphoses, Lacanian psychoanalysis, Jungian principles, the philosophy of Schopenhauer, Santayana's poetics, syncretism, gender studies, and Vedic theories. |
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Página 68
... truth . Lucrecia is a perfect moon who will not be eclipsed in her amorous efforts . • • Through the use of astrology and linguistic games , Alarcón embroils his audience in a debate over the nature of truth and lies . Larson points out ...
... truth . Lucrecia is a perfect moon who will not be eclipsed in her amorous efforts . • • Through the use of astrology and linguistic games , Alarcón embroils his audience in a debate over the nature of truth and lies . Larson points out ...
Página 70
... truth and lies , are less effective than action for communicating the truth . NOTES 1. In Ruiz de Alarcón's play , La verdad sospechosa , we find many of the prob- lematic elements that enrich Golden Age dramas . Harold Veeser and ...
... truth and lies , are less effective than action for communicating the truth . NOTES 1. In Ruiz de Alarcón's play , La verdad sospechosa , we find many of the prob- lematic elements that enrich Golden Age dramas . Harold Veeser and ...
Página 221
... truth . D. C. Allen and D. P. Walker ( 1953 ) have explained how Renaissance thinkers came to argue for a syncretism , claiming that the pagan philosophers had studied in Egypt with Moses and had gained access to knowledge of the ...
... truth . D. C. Allen and D. P. Walker ( 1953 ) have explained how Renaissance thinkers came to argue for a syncretism , claiming that the pagan philosophers had studied in Egypt with Moses and had gained access to knowledge of the ...
Índice
Preface | 7 |
The Elemental | 17 |
The Presence of the Four Elements in El burlador de Sevilla | 30 |
Direitos de autor | |
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A Star-crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização limitada - 1998 |
A Star-Crossed Golden Age: Myth and the Spanish Comedia Frederick A. De Armas Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
Abenámar Achilles action Agueda allegory amor ancient androgyny Apollo Aquiles Armas Astraea astrological Beatriz blanca burlador de Sevilla Calderón Casilda characters Christian classical Daphne death Deidamia Diana divine divino Orfeo Don Juan Doña drama Edited Epimetheus estatua de Prometeo Fadrique Fadrique's father figure fire four elements García gender Gila Gila's goddess Golden Age Greek honor code human Ícaro Isabela Jacinta Juan de Cardona Juan's Juno king labyrinth Leonora Lope de Vega Lucrecia Luis Madrid Major Arcana mano Marquino marriage Metamorphoses metaphor Minerva mito monstruo mujer myth mythical mythology Numancia Numantines Orpheus Ovid Ovid's pagan paradox paso play play's Privar Prometeo Prometheus pues reference Renaissance represents Segismundo serrana mountain woman Spain Spanish Spanish Golden Age story symbol tarot teatro Teodoro theater tion Tirso de Molina Toruvio tradition transformation translation Tristán truth University Press Vélez Venus verdad sospechosa vida es sueño