The Agamemnon of Æschylus, tr. literally and rhythmically by W. Sewell1846 - 80 páginas |
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Página vi
... And on a return to some sounder mode of studying classical literature , appears to depend not only our hope of preserving our higher systems of education from the influx of great corruptions , in the shape of modern languages , vi PREFACE .
... And on a return to some sounder mode of studying classical literature , appears to depend not only our hope of preserving our higher systems of education from the influx of great corruptions , in the shape of modern languages , vi PREFACE .
Página vii
Aeschylus. great corruptions , in the shape of modern languages , modern history , and modern science , so called ; but the still better hope of elevating it in its office , and making it what all scholars feel that it may be made ...
Aeschylus. great corruptions , in the shape of modern languages , modern history , and modern science , so called ; but the still better hope of elevating it in its office , and making it what all scholars feel that it may be made ...
Página ix
... language , an instrument of universal application , comprehending all subjects ; capable of exhibiting to the mind all objects , not only directly and primarily , as where sounds are re- presented by sounds , but indirectly and second ...
... language , an instrument of universal application , comprehending all subjects ; capable of exhibiting to the mind all objects , not only directly and primarily , as where sounds are re- presented by sounds , but indirectly and second ...
Página xi
... something more , in order thoroughly to understand and appreciate the nature of a Greek tragedy . It comes to him in a strange garb , -enveloped in hard and mysterious symbols of an unknown language , beset with the PREFACE . XI.
... something more , in order thoroughly to understand and appreciate the nature of a Greek tragedy . It comes to him in a strange garb , -enveloped in hard and mysterious symbols of an unknown language , beset with the PREFACE . XI.
Página xii
Aeschylus. mysterious symbols of an unknown language , beset with the perplexities of a subtle and meta- physical grammar , and obscured by many pecu- liarities of manners and circumstances . The first thing , therefore , to be done , is ...
Aeschylus. mysterious symbols of an unknown language , beset with the perplexities of a subtle and meta- physical grammar , and obscured by many pecu- liarities of manners and circumstances . The first thing , therefore , to be done , is ...
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The Agamemnon of Æschylus, Tr. Literally and Rhythmically by W. Sewell Pré-visualização indisponível - 2020 |
The Agamemnon of Aeschylus, Tr. Literally and Rhythmically by W. Sewell Aeschylus Pré-visualização indisponível - 2016 |
Palavras e frases frequentes
2d Edition 4th Edition A. J. VALPY adapted Ægisth Agam Agamemnon ancient Anglicæ Apollo Argive Aristophanes Arithmetic Atreus blood bound Cass CHARLES ANTHON Chor Chorus cloth Clyt Clytemnestra copious corrected crime curse deed didst dost doth E. H. BARKER e'en Edited by A. J. Editio English Notes English-Latin enlarged Eschylus Eton Eton Latin Euripides evil F. E. J. VALPY fate fear Geography gods Grammar School Greek Grammar Greek Language halls hand hath heart heaven History JAMES PYCROFT Jove Language late Latin Exercises Latin Grammar Latin Language Latin-English Dictionary Lessons Lexicon light Menelaus mind moral murder Norwich School o'er Pleisthenes poet poetry post 8vo prophetic Questions revised S. T. BLOOMFIELD seems Semich Shrewsbury School sooth Sophocles soul spouse TESTAMENTUM DOMINI Text thee thou Thucydides Thyestes tion translation Trinity College Troy truth unto usum Valpy's vols words wrath
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Página 77 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then have I reason to be fond of grief.
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Página 84 - Tis the merry Nightingale That crowds, and hurries, and precipitates With fast thick warble his delicious notes...
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Página 80 - Why, I can smile, and murder while I smile ; And cry, content, to that which grieves my heart ; And wet my cheeks with artificial tears, And frame my face to all occasions.
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