Modern Painters ... |
No interior do livro
Resultados 1-5 de 35
Página lxiii
Their angular forms and general decision of outline 228 § 6. The composition of
their minor curves 229 § 7. Their characters, as given by S. Rosa 230 § 8.
Monotony and falsehood of the clouds of the Italian school generally 239 § 9.
Vast size ...
Their angular forms and general decision of outline 228 § 6. The composition of
their minor curves 229 § 7. Their characters, as given by S. Rosa 230 § 8.
Monotony and falsehood of the clouds of the Italian school generally 239 § 9.
Vast size ...
Página lxvi
... objects always characterized by very sharp outline 283 Want of this decision in
Claude 284 The perpetual rendering of it by Turner 285 Effects of snow, how
imperfectly studied 285 General principles of its forms on the Alps 287 Average ...
... objects always characterized by very sharp outline 283 Want of this decision in
Claude 284 The perpetual rendering of it by Turner 285 Effects of snow, how
imperfectly studied 285 General principles of its forms on the Alps 287 Average ...
Página lxvii
The peculiar difficulty of investigating the more essential truths of hill outline 305
§ 25. Works of other modern artists. — Clarkson Stanfleld 305 § 26. Importance of
particular and individual truth in hill drawing. 306 § 27. Works of Copley ...
The peculiar difficulty of investigating the more essential truths of hill outline 305
§ 25. Works of other modern artists. — Clarkson Stanfleld 305 § 26. Importance of
particular and individual truth in hill drawing. 306 § 27. Works of Copley ...
Página 19
The chalk outline of the bough of a tree on paper, is not an imitation ; it looks like
chalk and paper — not like wood, and that which it suggests to the mind is not
properly said to be like the form of a bough, it is the form of a bough. Now, then,
we ...
The chalk outline of the bough of a tree on paper, is not an imitation ; it looks like
chalk and paper — not like wood, and that which it suggests to the mind is not
properly said to be like the form of a bough, it is the form of a bough. Now, then,
we ...
Página 22
A pencil outline of the bough of a tree on white paper is a statement of a certain
number of facts of form. It does not yet amount to the imitation of anything. The
idea of that form is not given in nature by lines at all, still less by black lines with a
...
A pencil outline of the bough of a tree on white paper is a statement of a certain
number of facts of form. It does not yet amount to the imitation of anything. The
idea of that form is not given in nature by lines at all, still less by black lines with a
...
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Índice
| 78 | |
| 79 | |
| 80 | |
| 81 | |
| 82 | |
| 84 | |
| 86 | |
| 88 | |
| 104 | |
| 106 | |
| 107 | |
| 109 | |
| 110 | |
| 112 | |
| 114 | |
| 115 | |
| 89 | |
| 90 | |
| 92 | |
| 94 | |
| 95 | |
| 97 | |
| 99 | |
| 101 | |
| 103 | |
| 117 | |
| 118 | |
| 121 | |
| 122 | |
| 125 | |
| 127 | |
| 129 | |
| 130 | |
Outras edições - Ver tudo
Palavras e frases frequentes
appear artist beauty become believe blue body boughs cause Chapter character Claude clear clouds color complete considered curves dark delicate dependent direction distance distinct drawing edge effect equally especially evidence example excellence execution expression fact fall false feeling foliage foreground give given gray greater green ground hand highest hills ideas imitation important impossible impression instance Italy kind knowledge landscape leaves less light lines look marked mass masters means mind mountain nature necessary never object observed once outline painter painting particular passages perfect perhaps picture piece pleasure present principles pure qualities receive reflection rendered respect rock seen separate shade shadow side space speak surface thing thought tion tone touch trees true truth Turner waves whole
Passagens conhecidas
Página 265 - ... the whole heaven — one scarlet canopy, — is interwoven with a roof of waving flame, and tossing-, vault beyond vault, as with the drifted wings of many companies of angels : and then, when you can look no more for gladness, and when you are bowed down with fear and love of the Maker and Doer of this, tell me who has best delivered this His message unto men ! ' Alps at Daybreak (Itogers's Poems :) Delphi, and various vignettes.
Página 91 - Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.
Página 207 - I stand, the chasm of sky above my head Is heaven's profoundest azure ; no domain For fickle, short-lived clouds to occupy, Or to pass through ; but rather an abyss In which the everlasting stars abide ; And whose soft gloom, and boundless depth, might tempt The curious eye to look for them by day.
Página 51 - A sufficient impulse there may be on the organ; but it not reaching the observation of the mind, there follows no perception: and though the motion that uses to produce the idea of sound be made in the ear, yet no sound is heard.
Página 51 - This is certain, that whatever alterations are made in the body, if they reach not the mind; whatever impressions are made on the outward parts, if they are not taken notice of within ; there is no perception. Fire may burn our bodies with no other effect than it does a billet, unless the motion be continued to the brain, and there the sense of heat or idea of pain be produced in the mind, wherein consists actual perception.
Página 156 - ... opens in a cloud at sunset the motionless masses of dark rock — dark, though flushed with scarlet lichen, casting their quiet shadows across its restless radiance, the fountain underneath them filling its marble hollow with blue mist and fitful sound, and, over all, — the multitudinous bars of amber and rose, the sacred clouds that have no darkness, and only exist to...
Página 220 - Attained his western bound; but rays of light — • Now suddenly diverging from the orb Retired behind the mountain tops or veiled By the dense air — shot upwards...
Página 50 - I have to prove to them that there are more things in heaven and earth than are dreamed of in their philosophy, and that the truth of nature is a part of the truth of God ; to him who does not search it out, darkness, as it is to him who does, infinity.
Página 26 - Perfect taste is the faculty of receiving the greatest possible pleasure from those material sources which are attractive to our moral nature in its purity and perfection.
Página 12 - If I say that the greatest picture is that which conveys to the mind of the spectator the greatest number of the greatest ideas, I have a definition which will include as subjects of comparison every pleasure which art is capable of conveying.
Informação bibliográfica
| Título | Modern Painters ... Volume 1 de Modern Painters, John Ruskin |
| Autor | John Ruskin |
| Editora | J. Wiley & sons, 1878 |
| Original de | Universidade de Virginia |
| Digitalizado | 12 Abr 2008 |
| Exportar citação | BiBTeX EndNote RefMan |