Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 34Gale Research Company, 1984 |
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Página 177
... comic inversion gives rise to vocal , active women . In other words , the focus of my study is the comic plays that have the most to offer women ; for it is in such plays that the tension between power- ful comic heroines and restrictive ...
... comic inversion gives rise to vocal , active women . In other words , the focus of my study is the comic plays that have the most to offer women ; for it is in such plays that the tension between power- ful comic heroines and restrictive ...
Página 248
... comic dramatist exploits it for his comic purposes . It is , as Harry Levin puts it , " a practical joke conceived and executed by providence . " 3 But the question of sib- ling doubles lies at the heart of much persistent human ...
... comic dramatist exploits it for his comic purposes . It is , as Harry Levin puts it , " a practical joke conceived and executed by providence . " 3 But the question of sib- ling doubles lies at the heart of much persistent human ...
Página 275
... comic reduction of excess in this part of the play , the comic comment upon extreme attitudes toward indul- gence , reinforces the comic reduction of extreme atti- tudes toward love . And as we have seen , this last is accomplished in ...
... comic reduction of excess in this part of the play , the comic comment upon extreme attitudes toward indul- gence , reinforces the comic reduction of extreme atti- tudes toward love . And as we have seen , this last is accomplished in ...
Índice
Appearance vs Reality | 1 |
As You Like | 71 |
The Comedy of Errors | 190 |
Direitos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volume 28 Visualização de excertos - 1984 |
Palavras e frases frequentes
actor Adonis Adriana ambiguity androgynous Angelo audience Audrey becomes Bellario brother Celia characters Clown Comedy of Errors comic conventional Coppélia Corin court courtly critical desire dialogue discourse double meaning dramatic Dromio Duke Frederick Duke Senior Duke's Egeon Elizabethan Ephesus ethos father feigning female Feste figure final folly fool Forest of Arden Ganymede gender genre hath Helena husband identity Isabella Jaques language literary lovers Luciana male Malvolio marriage Measure for Measure metonymic Midsummer Night's Dream moral nature ocular proof Oliver Olivia Orlando Orsino paradox passion pastoral Phebe Philaster play's plot poetry political reality relationship Renaissance reveals rhetoric role romantic Rosalind says scene seems sense sexual disguise Shakespeare Shakespearean comedy shepherd Silvius social speak speech stage structure suggests theme thou tion Touchstone Touchstone's tradition truth Twelfth Night Univ University Press Venus Venus and Adonis Viola wife woman women words