porary Dramatists. He is complaining in a mood half serious, half comic, of the disrespect which Poets in his own times meet with from the world, compared with the honours paid them by Antiquity. Then they could afford them three or four sonorous names, and at full length; as to Ovid, the addition of Publius Naso Sulmensis; to Seneca, that of Lucius Annæas Cordubensis ; and the like. Now, says he, Our modern Poets to that pass are driven, Those names are curtail'd which they first had given ; Merit addition rather. Famous Kid Was call'd but Tom. Tom Watson; though he wrote Able to make Apollo's self to dote Upon his Muse; for all that he could strive, Yet never could to his full name arrive. Tom Nash (in his time of no small esteem) Excellent Beaumont, in the foremost rank Fletcher, and Webster, of that learned pack [Possibly our Poet was a little sore, that this contemptuous curtailment of their Baptismal Names was chiefly exercised upon his Poetical Brethren of the Drama. We hear nothing about Sam Daniel, or Ned Spenser, in his catalogue. The familiarity of common discourse might probably take the greater liberties with the Dramatic Poets, as conceiving of them as more upon a level with the Stage Actors. Or did their greater publicity, and popularity in consequence, fasten these diminutives upon them out of a feeling of love and kindness, as we say Harry the Fifth, rather than Henry, when we would express good-will?-as himself says, in those reviving words put into his mouth by Shakspeare, where he would comfort and confirm his doubting brothers : Not Amurath an Amurath succeeds, And doubtless Heywood had an indistinct conception of this truth, when, (coming to his own name), with that beautiful retracting which is natural to one that, not satirically given, has wandered a little out of his way into something recriminative, he goes on to say : Nor speak I this, that any here exprest Should think themselves less worthy than the rest I hold he loves me best that calls me Tom. ADRASTA: A TRAGI-COMEDY. BY JOHN JONES, 1635. Die, die, ah die! We all must die : 'Tis Fate's decree : Then ask not why. Dirge. When we were framed, the Fates consultedly Yet Nature strove, And did deny We should be slaves To Destiny. At which, they heapt Such misery; That Nature's self Did wish to die : And thank their goodness, that they would foresee Another. Come, Lovers, bring your cares, Sigh for the hapless hour, To die, when 'twas begun. THE GAME AT CHESS : A COMEDY. BY THOMAS MIDDLETON, 1624. Popish Priest to a great Court Lady, whom he hopes to make a Convert of. Let me contemplate; With holy wonder season my access, And by degrees approach the sanctuary Of unmatch'd beauty, set in grace and goodness. Doth promise single life, and meek obedience. Would look upon that cheek; and how delightful JACK DRUM'S ENTERTAINMENT: A COMEDY. AUTHOR UNKNOWN, 1601. The free humour of a Noble Housekeeper. Fortune (a Knight). I was not born to be my cradle's drudge, To choke and stifle up my pleasure's breath. barren virtues of my progeny, ole them sprout 'spite of their want of worth; Such misery; That Nature's self Did wish to die : And thank their goodness, that they would foresee Another. Come, Lovers, bring your cares, To die, when 'twas begun. THE GAME AT CHESS: A COMEDY. BY THOMAS MIDDLETON, 1624. Popish Priest to a great Court Lady, whom he hopes to make a Let me contemplate; With holy wonder season my access, Of unmatch'd beauty, set in grace and goodness. Would look upon that cheek; and how delightful 4 |