Shakespeare Translated: Derivatives on Film and TVPeter Lang, 2005 - 173 páginas Shakespeare's works are constantly being translated into new contexts, a fact which demonstrates the vitality of his plots in contemporary settings. Shakespeare Translated looks at the way certain plays - particularly Romeo and Juliet, Hamlet, Othello, and King Lear - have been recontextualized into films like O and King of Texas, or television shows such as «The Gilmore Girls», «Cheers», and «Clueless». This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s. Shakespeare Translated looks at what has happened to Shakespeare, for better or - more often - for worse, as the new millennium begins. |
No interior do livro
Resultados 1-3 de 9
Página 78
... Rosencrantz and Guildenstern Are Dead ( 1990 , with Gary Oldman and Tim Roth ) does not try to recreate the worldview of the host play , and that is one element in its success . The film got lost in the flood of filmed Shakespeare in ...
... Rosencrantz and Guildenstern Are Dead ( 1990 , with Gary Oldman and Tim Roth ) does not try to recreate the worldview of the host play , and that is one element in its success . The film got lost in the flood of filmed Shakespeare in ...
Página 80
... Rosencrantz demands — but it is a movement from stasis , suspended animation into an unfree , scripted environment , where , as Guildenstern says , " There's something they're not telling us . " Nothing can be real here because Stoppard ...
... Rosencrantz demands — but it is a movement from stasis , suspended animation into an unfree , scripted environment , where , as Guildenstern says , " There's something they're not telling us . " Nothing can be real here because Stoppard ...
Página 81
... Rosencrantz nor Guildenstern recognizes the italicization that would explain to them their symbiotic relationship with the play in the Player's box . They live within a work of art , and are themselves fictions . Stoppard glances , of ...
... Rosencrantz nor Guildenstern recognizes the italicization that would explain to them their symbiotic relationship with the play in the Player's box . They live within a work of art , and are themselves fictions . Stoppard glances , of ...
Índice
Introduction | 1 |
Romeo and Juliet | 25 |
Hamlet | 57 |
Direitos de autor | |
4 outras secções não apresentadas
Outras edições - Ver tudo
Shakespeare Translated: Derivatives on Film and TV Herbert R. Coursen Pré-visualização limitada - 2005 |
Palavras e frases frequentes
A. C. Bradley actor Andy Animated Shakespeare argues asks assassination audience balcony Bazin becomes Booth Cambridge Capulet characters Christian Claudius clichés Cordelia course culture daughter dead death depicted Desdemona Desi director dream Elliot emerge episode Eugenie evil example fall in love father film's final Ghost girl Gonzago Grandet Guildenstern Hamlet Iago inevitable issue Jago John Kenneth killed King Lear Kovu lago Lear's London looks lovers Macbeth Michael modern murder narrative Nishi Ophelia Othello Paul perhaps Peter Players Pocahontas political Polonius postmodern production reinforce revenge Richard Burt Richard III Robert F role Romeo and Juliet Rosencrantz Rothwell says scene script Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shows Simba stage stars story suggests teenage television tells Tempest theater Titus Tony Howard tragedy University Press Wada West Side Story Willson woman York Yoshiko young