Shakespeare Translated: Derivatives on Film and TVPeter Lang, 2005 - 173 páginas Shakespeare's works are constantly being translated into new contexts, a fact which demonstrates the vitality of his plots in contemporary settings. Shakespeare Translated looks at the way certain plays - particularly Romeo and Juliet, Hamlet, Othello, and King Lear - have been recontextualized into films like O and King of Texas, or television shows such as «The Gilmore Girls», «Cheers», and «Clueless». This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s. Shakespeare Translated looks at what has happened to Shakespeare, for better or - more often - for worse, as the new millennium begins. |
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Página 78
... moves fluidly in and out of various planes of reality , insisting that we as the audience question the level of illusion at work during any given moment of what we know to be an illusion known as motion picture . At " Gonzago , " a ...
... moves fluidly in and out of various planes of reality , insisting that we as the audience question the level of illusion at work during any given moment of what we know to be an illusion known as motion picture . At " Gonzago , " a ...
Página 79
... move from Newton's static cosmos through Einstein's " cosmological constant " to Hubble's observation that the ... moves in and out of realities none of which is reality . The question is not posed in the adolescent mode — what is ...
... move from Newton's static cosmos through Einstein's " cosmological constant " to Hubble's observation that the ... moves in and out of realities none of which is reality . The question is not posed in the adolescent mode — what is ...
Página 105
... moves from Venice to Cyprus . The former is " not a grange , " as Brabantio says , but the latter is a zone across the waters still trembling with the close brush of the Turk , an island under martial law , a place that Iago can control ...
... moves from Venice to Cyprus . The former is " not a grange , " as Brabantio says , but the latter is a zone across the waters still trembling with the close brush of the Turk , an island under martial law , a place that Iago can control ...
Índice
Introduction | 1 |
Romeo and Juliet | 25 |
Hamlet | 57 |
Direitos de autor | |
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Outras edições - Ver tudo
Shakespeare Translated: Derivatives on Film and TV Herbert R. Coursen Pré-visualização limitada - 2005 |
Palavras e frases frequentes
A. C. Bradley actor Andy Animated Shakespeare argues asks assassination audience balcony Bazin becomes Booth Cambridge Capulet characters Christian Claudius clichés Cordelia course culture daughter dead death depicted Desdemona Desi director dream Elliot emerge episode Eugenie evil example fall in love father film's final Ghost girl Gonzago Grandet Guildenstern Hamlet Iago inevitable issue Jago John Kenneth killed King Lear Kovu lago Lear's London looks lovers Macbeth Michael modern murder narrative Nishi Ophelia Othello Paul perhaps Peter Players Pocahontas political Polonius postmodern production reinforce revenge Richard Burt Richard III Robert F role Romeo and Juliet Rosencrantz Rothwell says scene script Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shows Simba stage stars story suggests teenage television tells Tempest theater Titus Tony Howard tragedy University Press Wada West Side Story Willson woman York Yoshiko young