Shakespeare Translated: Derivatives on Film and TVPeter Lang, 2005 - 173 páginas Shakespeare's works are constantly being translated into new contexts, a fact which demonstrates the vitality of his plots in contemporary settings. Shakespeare Translated looks at the way certain plays - particularly Romeo and Juliet, Hamlet, Othello, and King Lear - have been recontextualized into films like O and King of Texas, or television shows such as «The Gilmore Girls», «Cheers», and «Clueless». This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s. Shakespeare Translated looks at what has happened to Shakespeare, for better or - more often - for worse, as the new millennium begins. |
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Página 55
... Notes On West Side Story as " the greatest film musical ever made , " see Daniel Rosenthal , Shakespeare on Screen . London : Hamlyn , 2000 , pp . 126-27 . + Richard Burt cites two productions that I have not seen : " spin - offs of ...
... Notes On West Side Story as " the greatest film musical ever made , " see Daniel Rosenthal , Shakespeare on Screen . London : Hamlyn , 2000 , pp . 126-27 . + Richard Burt cites two productions that I have not seen : " spin - offs of ...
Página 72
... notes the film's " constant pull toward the graphic , the immediate , the concrete , the simple , the extreme . ” 16 The extreme is often in the reaction of Nishi's victims , particularly Shirai to whom Nishi shows a photo of the man ...
... notes the film's " constant pull toward the graphic , the immediate , the concrete , the simple , the extreme . ” 16 The extreme is often in the reaction of Nishi's victims , particularly Shirai to whom Nishi shows a photo of the man ...
Página 114
Derivatives on Film and TV Herbert R. Coursen. Notes * + + Robert F. Willson , Jr. points out that one effort to trap Anthony John resembles " a Hamlet - like ' mousetrap ' to catch the conscience of the killer " ( 91 ) . An actress is ...
Derivatives on Film and TV Herbert R. Coursen. Notes * + + Robert F. Willson , Jr. points out that one effort to trap Anthony John resembles " a Hamlet - like ' mousetrap ' to catch the conscience of the killer " ( 91 ) . An actress is ...
Índice
Introduction | 1 |
Romeo and Juliet | 25 |
Hamlet | 57 |
Direitos de autor | |
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Shakespeare Translated: Derivatives on Film and TV Herbert R. Coursen Pré-visualização limitada - 2005 |
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A. C. Bradley actor Andy Animated Shakespeare argues asks assassination audience balcony Bazin becomes Booth Cambridge Capulet characters Christian Claudius clichés Cordelia course culture daughter dead death depicted Desdemona Desi director dream Elliot emerge episode Eugenie evil example fall in love father film's final Ghost girl Gonzago Grandet Guildenstern Hamlet Iago inevitable issue Jago John Kenneth killed King Lear Kovu lago Lear's London looks lovers Macbeth Michael modern murder narrative Nishi Ophelia Othello Paul perhaps Peter Players Pocahontas political Polonius postmodern production reinforce revenge Richard Burt Richard III Robert F role Romeo and Juliet Rosencrantz Rothwell says scene script Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shows Simba stage stars story suggests teenage television tells Tempest theater Titus Tony Howard tragedy University Press Wada West Side Story Willson woman York Yoshiko young