Great Italian and French ComposersD. Appleton, 1878 - 291 páginas |
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Página 146
... Les Huguenots , " and " Faust , " got its primal value and significance . Two men of genius , Gluck and Grétry , had formed the taste of the public in being faithful to the accents of nature . The idea of reconciling this taste ...
... Les Huguenots , " and " Faust , " got its primal value and significance . Two men of genius , Gluck and Grétry , had formed the taste of the public in being faithful to the accents of nature . The idea of reconciling this taste ...
Página 209
... Les Huguenots . " On returning to Germany Meyer- beer was very sarcastically criticised on the one side as a fugitive from the ranks of German music , on the other as an imitator of Rossini . Meyerbeer returned to Venice , and in 1824 ...
... Les Huguenots . " On returning to Germany Meyer- beer was very sarcastically criticised on the one side as a fugitive from the ranks of German music , on the other as an imitator of Rossini . Meyerbeer returned to Venice , and in 1824 ...
Página 214
... Les Huguenots " was given to the public , Feb- ruary 26 , 1836. Though this great work excited transports of enthusiasm in Paris , it was inter- dicted in many of the cities of Southern Europe on account of the subject being a ...
... Les Huguenots " was given to the public , Feb- ruary 26 , 1836. Though this great work excited transports of enthusiasm in Paris , it was inter- dicted in many of the cities of Southern Europe on account of the subject being a ...
Página 216
... Les Huguenots " two hundred and twenty - two , and " Le Prophète " a hundred and twelve . The " Pardon de Ploërmel , " also known as " Dinorah , " was offered to the world of Paris April 4 , 1859. Both these operas , though beautiful ...
... Les Huguenots " two hundred and twenty - two , and " Le Prophète " a hundred and twelve . The " Pardon de Ploërmel , " also known as " Dinorah , " was offered to the world of Paris April 4 , 1859. Both these operas , though beautiful ...
Página 218
... Les Huguenots . " " Well might he make this boast , for into the fourth act of his musical setting of the terrible St. Bartholomew tragedy he put the finest inspirations of his life . 66 Singular to say , though he himself represented ...
... Les Huguenots . " " Well might he make this boast , for into the fourth act of his musical setting of the terrible St. Bartholomew tragedy he put the finest inspirations of his life . 66 Singular to say , though he himself represented ...
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admiration afterward artistic Auber audience beauty became Beethoven Bellini Berlin Berlioz brilliant career charming Cherubini chorus church music Cimarosa color comic opera composer's composition concert Conservatory critics death delight Don Pasquale Donizetti dramatic effects Europe Faust favorite France French music French opera gave genius German Gluck Gounod grace grand greatest Grétry Halévy Hector Berlioz honor instruments Italian Italian composers Italian opera Italy latter Les Deux Journées Les Huguenots libretto Lulli lyric mass master masterpieces Méhul melody Mendelssohn ment Meyerbeer Meyerbeer's Moscheles Mozart musician Naples never noble orchestra Paisiello Palestrina passion performed piano Piccini poser produced pupil Rameau rank returned to Paris rich rival Rome Rossini Rubini says scene score serious opera singer singing song Spontini stage style success symphony talent taste theatre tion Verdi Vienna vigor voice Wagner Weber write written wrote young