Imagens das páginas
PDF
ePub

Maggy Howe's, a newspaper is procured, and poor Will, the hero of the tale, becomes a pot-house politician, and soon goes to ruin. His wife also takes to drinking.

Wha was ance like Willie Gairlace?
Wha in necbouring town or farm?
Beauty's bloom shone in his fair face,
Deadly strength was in his arm.

When he first saw Jeanie Miller,

Wha wi' Jeanie could compare? Thousands had mair braws and siller, But war only half sae fair?

See them now-how changed wi' drinking!

A' their youthfu' beauty gane! Davered, doited, daized, and blinkingWorn to perfect skin and bane!

In the cauld month o' November-
Claise and cash and credit out-
Cowering ower a dying ember,
Wi' ilk face as white 's a clout!

Bond and bill and debts a' stoppit,
Ilka sheaf selt on the bent;
Cattle, beds, and blankets roupit,
Now to pay the laird his rent

No anither night to lodge here-
No a friend their cause to plead !
He's ta'en on to be a sodger,
She wi' weans to beg her bread!

The little domestic drama is happily wound up: Jeanie obtains a cottage and protection from the Duchess of Buccleuch; and Will, after losing a leg in battle, returns, and finds his wife and family.

Sometimes briskly, sometimes flaggiu',
Sometimes helpit, Will gat forth;
On a cart, or in a wagon,

Hirpling aye towards the north.
Tired ae e'ening, stepping hooly,
Pondering on his thraward fate,
In the bonny month o' July,

Willie, heedless, tint his gate.

Saft the southland breeze was blawing, Sweetly sughed the green aik wood; Loud the din o' streams fast fa'ing,

Strack the ear wi' thundering thud:

Ewes and lambs on braes ran bleating;
Linties chirped on ilka tree;
Frae the west, the sun, near setting,
Flamed on Roslin's tower sac hie.

Roslin's towers and bracs sae bonny! Craigs and water, woods and glen! Roslin's banks, unpeered by ony,

Save the Muses' ilawthornden!

Ilka scund and charm delighting,

Will-though hardly fit to gangWandered on through scenes inviting, Listening to the mavis' sang.

Faint at length. the day fast closing, On a fragrant strawberry steep, Esk's sweet stream to rest composing, Wearied nature drupt asleep.

placed on Chelsea's bounty,'

'Soldier, rise!--the dews o' e'ening
Gathering, fa' wi' deadly skaith!
Wounded soldier! if complaining,
Sleep na here, and catch your death.".

Silent stept he on, poor fellow!

Listening to his guide before,
Ower green knowe and flowery hollow,
Till they reach the cot-house door.

Laigh it was, yet sweet and humble;
Decked wi' honeysuckle round;
Clear below, Esk's waters rumble,
Deep glens murmuring back the sound,

Melville's towers, sae white and stately,
Dim by gloaming glint to view;
Through Lasswade's dark woods keek
sweetly

Skies sac red, and lift sac blue.

Entering now, in transport mingle
Mother fond and happy wean,
Smiling round a canty ingle,
Bleezing on a clean hearthistane.

'Soldier, welcome! come, be cheery-
Here ye se rest and tak' your bed-
Faint, wae's me! ye seem, and weary,
Pale's your cheek sue lately red!

'Changed I am,' sighed Willie till her; Changed, nae doubt, as changed can be! Yet, alas! does Jennie Miller

Nought o' Willie Gairlace see?

Hae ye marked the dews o' morning
Glittering in the sunny ray,
Quickly fa', when, without warning,
Rough blasts came and shook the spray?

Hae ye seen the bird, fast fleeing,

Then see Jean, wi' colour deeing,
Senseless drap at Willie's feet.

After three lang years' affliction-
A' their waes now hushed to rest-
Lean ance mair, in fond affection,
Clasps her Willie to her breast.

Drap, when pierced by death mair fleet? The simple truth and pathos of descriptions like these appealed to the heart, and soon rendered Macneill's poem universally popular in Scotland. Its moral tendency was also a strong recommendation, and the same causes still operate in procuring readers for the tale, especially in that class best fitted to appreciate its rural beauties and homely pictures, and to receive benefit from the lessons it inculcates. Macneill wrote several Scottish_lyrics, and published a descriptive poem, entitled 'The Links of Forth, or a parting Peep at the Carse of Stirling;' and some prose tales, in which he laments the effect of modern change and improvement. The latter years of the poet were spent in comparative comfort in Edinburgh.

Mary of Castle-Cary.

'Saw ye my wee thing, saw ye my ain thing,
Saw ye my true love down on yon lea?
Crossed she the meadow yestreen at the gloaming,
Sought she the burnie where flowers the haw-tree?
Her hair it is lint-white, her skin it is milk-white,
Dark is the blue of her soft rolling ce;

Red, red are her ripe lips, and sweeter than roses-
Where could my wee thing wander frae me?'

'I saw nae your wee thing, I saw nae your ain thing,
Nor saw I your true love down by yon lea;
But I met my bonny thing late in the gloaming,
Down by the burnie where flowers the haw-tree:
Her hair it was lint-white, her skin it was milk-white,
Dark was the blue of her soft rolling ee;

Red were her ripe lips, and sweeter than roses-
Sweet were the kisses that she gave to me.'

'It was nae my wee thing, it was nae my ain thing,
It was nae my true love ye met by the tree:
Proud is her leal heart, and modest her nature;
She never loved ony till ance she lo'ed ine.
Her name it is Mary; she's frae Castle-Cary;
Aft has she sat when a bairn on my knee:
Fair as your face is, were 't fifty times fairer,
Young bragger, she ne'er wad gic kisses to thee.'

'It was then your Mary; she's frae Castle-Cary;
It was then your true love I met by the tree;
Proud as her heart is, and modest her nature,
Sweet were the kisses that she gave to me.'

Jair gloomed his dark brow, blood-red his cheek grew,
Wild flashed the fire frae his red rolling ee:

Yo'se rue sair this morning your boasts and your scorning;
Defend ye, fause traitor; fu' loudly ye lie.'

L Away wi' beguiling,' cried the youth, smiling-
Off went the bonnet, the int-white locks flee,

The belted plaid fa'ing, her white bosom shawing,
Fair stood the loved maid wi' the dark rolilag ee.
Is it my wee thing, is it my ain thing,

Is it my true love here that I see?'

"O Jamie, forgie me; your heart's constant to me;
I'll never mair wander, dear laddie, frae thee.'

JOHN MAYNE.

JOHN MAYNE, author of the Siller Gun, Glasgow,' and other poems, was a native of Dumfries-born in the year 1761-and died in London in 1836. He was brought up to the printing business, and whilst apprentice in the Dumfries Journal' office in 1777, in his sixteenth year, he published the germ of his Siller Gun' in a quarto page of twelve stanzas. The subject of the poem is an ancient custom in Dumfries, called Shooting for the Siller Gun,' the gun being a small silver tube presented by James VI. to the incorporated trades as a prize to the best marksman. This poem Mr. Mayne continued to enlarge and improve up to the time of his death. The twelve stanzas expanded in two years to two cantos; in another year (1780) the poem was published-enlarged to three cantos-in Ruddiman's Magazine;' and in 1808 it was published in London in four cantos. This edition was seen by Sir Walter Scott, who said (in one of his notes to the Lady of the Lake') that it surpassed the efforts of Fergusson, and came near to those of Burns.'

Mr. Mayne was author of a short poem on Hallowe'en,' printed in 'Ruddiman's Magazine' in 1780; and in 1781; he published at Glasgow his fine ballad of 'Logan Braes,' which Burns had seen, and two lines of which he copied into his 'Logan Water.' The Siller Gun' is humorous and descriptive, and is happy in both. The author is a shrewd and lively observer, full of glee, and also of gentle and affec tionate recollections of his native town and all its people and pas times. The ballad of Logan Eraes' is a simple and beautiful lyric, superior to the more elaborate version of Burns. Though long resi dent in London (as proprietor of the 'Star' newspaper), Mr. Mayne retained his Scottish enthusiasm to the last; and to those who, like ourselves, recollect him in advanced life, stopping in the midst of his duties as a public journalist, to trace some remembrance of his native Dumfries and the banks of the Nith, or to hum over some rural or pastoral song which he had heard forty or fifty years before his name, as well as his poetry, recalls the strength and tenacity of early feelings and local associations.

Logan Braec.

By Logan's streams, that rin sac deep,
Fu' att wi' glee I've herded sheep,
Herded sheep and gathered slaes,
Wi' my dear lad on Logan braes.
But wae's my heart, thae days are gane,
And I wi' grief may herd alane,

While my dear lad maun face his faes,
Far, íar Irae me and Logan Braes.

Nae mair at Logan kirk will he
Atween the preachings meet wi' me;
Meet wi me, or when it's mirk,

Convoy me hame frae Logan kirk.
I wee! may sing thae days are gane:
Frae kirk and fair I come alane.
While my dear lad maun face his faes,
Far, far frae me and Logan braes.

I danner out and sit alane,
Sit alane beneath the tree
Where aft he kept his tryst wi' me.
Oh! could I see thae days again,
My lover skaithless, and my ain!
Beloved by friends, revered by faes,
We'd live in bliss on Logan braes!
Helen of Kirkconnel.

At e'en, when hope amaist is gane,

Helen Irving, a young lady of exquisite beauty and accomplishments, daughter of the Laird of Kirkconnel, in Annadale, was betrothed to Adam Fleming de Kirkpatrick, a young gentleman of rank and fortune in that neighbourhood. Walking with her lover on the sweet banks of the Kirtle, she was murdered by a disappointed and sanguinary rival. This catastrophe took place during the reign of Mary, Queen of Scots, and is the subject of three different ballads: the first two are old, the third is the composition of the author of the Siller Gun.' It was first inserted in the 'Edinburgh Annual Register' (1815) by Sir Walter Scott.

I wish I were where Helen lies,
For, night and day, on me she cries;
And, like an angel, to the skies

Still seems to beckon me!
For me she lived, for me she sighed,
For me she wished to be a bride;
For me in life's sweet morn she died
On fair Kirkconnel-Lee!

Where Kirtle waters gently wind,
As Helen on my arm reclined,
A rival with a ruthless mind

Took deadly aim at me;
My love, to disappoint the foe,
Rushed in between me and the blow;
And now her corse is lying low

On fair Kirkconnel-Lee!

Though heaven forbids my wrath to swell,
I curse the hand by which she fell-
The fiend who made my heaven a hell,
And tore my love from me!

For if, where all the graces shine-
Oh! if on earth there's aught divine,
My Helen! all these charms were thine-
They centred all in thee!

Ah, what avails it that, amain,

I clove the assassin's head in twain;
No peace of mind, my Helen slain,
No resting-place for me:

I see her spirit in the air-
I hear the shriek of wild despair,
When Murder laid her bosom bare,
On fair Kirkconnel-Lee!

Oh! when I'm sleeping in my grave,
And o'er my head the rank weeds wave,
May He who life and spirit gave

Unite my love and me! [sighs,
Then from this world of doubts and
My soul on wings of peace shall rise;
And, joining Helen in the skies,,
Forget Kirkconnel-Lee!*

Mustering of the Trades to Shoot for the Siller Gun.

The lift was clear, the morn serene,
The sun just glinting ower the scene,
When James M'Noe began again
To beat to arms,
Rousing the heart o' man and wean
Wi' war's alarms.

Frae far and near the country lads
(Their joes ahint them on their yads)
Flocked in to see the show in squads;
And, what was dafter,

Their pawky mithers and their dads
Cam trotting after!

And mony a bean and belle were there,
Doited wi' dozing on a chair;

For, lest they 'd, sleeping, spoil their
hair,

Or miss the sight,

The gowks, like bairns before a fair,
Sat up a' night!

Wi' hats as black as ony raven,
Fresh as the rose, their beards new

shaven,

And a' their Sunday's cleeding having
Sae trim and gay,

The concluding verse of the old ballad is finer:
I wish I were where Helen lies!
Night and day on me she cries,

Also an earlier stanza:

Curst be the heart that thought the thought,
And curst the hand that fired the shot,

And I am weary of the skies

For her sake that died for me.

When in my arms burd Helen dropt,
And died to succour me!

Forth cam our Trades, some orra saving Wigs, queues, and clubs, and curly hair;

To wair that day.

[blocks in formation]
[blocks in formation]

Broiled kipper, cheese, and bread and Swords that, unsheathed since Preston

ham,

Laid the foundation for a dram
O' whiskey, gin frae Rotterdam,
Or cherry brandy;

Whilk after, a' was fish that cam
To Jock or Sandy.

Oh! weel ken they wha lo'e their chappin, Drink maks the auldest swack and strappin';

Gars Care forget the ills that happenThe blate look spruceeven the thowless cock their tappin,

And craw fu' croose!

e muster ower, the different bands File aff in parties to the sands, Where, 'mid loud laughs and clapping hands.

Glee'd Geordy Smith
Reviews them, and their line expands
Alang the Nith!

But ne'er, for uniform or air,
Was sic a group reviewed elsewhere!
The short, the tall; fat folk and spare;
Syde coats and dockit;"

pans.

Neglected lay.

Were furbished up. to grace the hands
O' chiefs this day!

Ohon!' says George, and ga'e a grane,
The age of chivalry is gane!'
Syne, having ower and ower again
The hale surveyed,

Their route, and a' things else, made He snuffed, and said: [plain,

Now. gentlemen! now, mind the motion, And dinna, this time, mak a botion: Shouther your arms! Oh! haud them tosh on,

And not athraw! Wheel wi' your left hands to the ocean, ! And march awa'!'

[blocks in formation]

BARONESS NAIRNE.

CAROLINA OLIPHANT (1766-1845), of the family of Oliphant of Gask, and justly celebrated for her beauty, talents, and worth, wrote several lyrical pieces, which enjoy great popularity. These are,

The Land o' the Leal, The Laird o' Cockpen, Caller Herrin', The

« AnteriorContinuar »