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Ant. She is cunning past man's thought.

Eno. Alack, sir, no; her passions are made of nothing but the finest part of pure love: We cannot call her winds and waters, sighs and tears; they are greater storms and tempests than almanacks can report: this cannot be cunning in her; if it be, she makes a shower of rain as well as Jove.

Ant. 'Would I had never seen her!

Eno. O, sir, you had then left unseen a wonderful piece of work; which not to have been blessed withal, would have discredited your travel. Ant. Fulvia is dead.

Eno. Sir?

Ant. Fulvia is dead.
Eno. Fulvia?

Ant. Dead.

Eno. Why, sir, give the gods a thankful sacrifice. When it pleaseth their deities to take the wife of a man from him, it shows to man the tailors of the earth; comforting therein, that when old robes are worn out, there are members to make new. If there were no more women but Fulvia, then had you indeed a cut, and the case to be lamented: this grief is crowned with consolation; your old smock brings forth a new petticoat:—and, indeed, the tears live in an onion, that should water this

sorrow.

Ant. The business she hath broached in the state, Cannot endure my absence.

Eno. And the business you have broached here cannot be without you; especially that of Cleopatra's, which wholly depends on your abode.

Ant. No more light answers. Let our officers Have notice what we purpose. I shall break The cause of our expedience to the queen, And get her lovet to part. For not alone The death of Fulvia, with more urgent touches, Do strongly speak to us; but the letters too

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Of many our contriving friends in Rome
Petition us at home: Sextus Pompeius
Hath given the dare to Cæsar, and commands
The empire of the sea: our slippery people
(Whose love is never link'd to the deserver,
Till his deserts are past), begin to throw
Pompey the great, and all his dignities,
Upon his son; who, high in name and power,
Higher than both in blood and life, stands up
For the main soldier: whose quality, going on,
The sides o'the world may danger: Much is breeding,
Which, like the courser's hair, hath yet but life,
And not a serpent's poison. Say, our pleasure,
To such whose place is under us, requires
Our quick remove from hence.

Eno. I shall do't.

[Exeunt.

SCENE III.

Enter Cleopatra, Charmian, Iras, and Alexas.

Cleo. Where is he?

Char.

I did not see him since.

Cleo. See where he is, who's with him, what he

does :

I did not send you t;-If you find him sad,
Say, I am dancing; if in mirth, report

That I am sudden sick: Quick, and return.

[Exit Alex.

Char, Madam, methinks, if you did love him dearly,

You do not hold the method to enforce

The like from him.

Cleo.

What should I do, I do not?

Char. In each thing give him way, cross him in

nothing.

* Horse's.

+ Look as if I did not send you.

Cleo. Thou teach est like a fool: the way to lose

him.

Char. Tempt him not so too far: I wish, forbear; In time we hate that which we often fear.

Enter Antony.

But here comes Antony.

I am sick, and sullen.

Cleo.

Ant. I am sorry to give breathing to my pur

pose,

Cleo. Help me away, dear Charmian, I shall fall; It cannot be thus long, the sides of nature

Will not sustain it.

Ant.

Now, my deare st queen,

Cleo. Pray you, stand further from me.
Ant.

What's the matter?

Cleo. I know, by that same eye, there's some good news.

What says the married woman?-You may go ;
'Would she had never given you leave to come!
Let her not say, 'tis I that keep you here,

I have no power upon you; hers you are.
Ant. The gods best know,-

Cleo.

O, never was there queen

So mightily betray'd! Yet, at the first,
I saw the treasons planted.

Ant.

Cleopatra,

Cleo. Why should I think, you can be mine, and

true,

Though you in swearing shake the throned gods, Who have been false to Fulvia? Riotous madness, To be entangled with those mouth-made vows, Which break themselves in swearing!

Ant.

Most sweet queen,

Cleo. Nay, pray you, seek no colour for your go

ing,

But bid farewell, and go: when you sued staying, Then was the time for words: No going then ;Eternity was in our lips, and eyes;

Bliss in our brows' bent; none our parts so poor,
But was a racet of heaven: They are so still,
Or thou, the greatest soldier of the world,

Art turn'd the greatest liar.

Ant.

How now, lady!

Cleo. I would, I had thy inches; thou shouldst

know,

There were a heart in Egypt.

Hear me, queen:

Ant.
The strong necessity of time commands

Our services a while; but my full heart
Remains in use with you. Our Italy

Shines o'er with civil swords: Sextus Pompeius
Makes his approaches to the port of Rome :
Equality of two domestick powers

Breeds scrupulous faction: The hated, grown to strength,

Are newly grown to love: the condemn'd Pompey,
Rich in his father's honour, creeps apace

Into the hearts of such as have not thriv'd
Upon the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change: My more particular,
And that which most with you should safe § my go-
ing,

Is Fulvia's death.

Cleo. Though age from folly could not give me freedom,

It does from childishness:-Can Fulvia die ||?
Ant. She's dead, my queen:

Look here, and, at thy sovereign leisure, read
The garboils she awak'd ¶; at the last, best:
See, when, and where she died.

Cleo.

*The arch of our eye-brows.

+ Smack or flavour.

O most false love!

Gate.

Render my going not dangerous.
Can Fulvia be dead?

The commotion she occasioned.

Where be the sacred vials thou should'st fill
With sorrowful water? Now I see, I see,
In Fulvia's death, how mine receiv'd shall be.
Ant. Quarrel no more, but be prepar'd to know
The purposes I bear; which are, or cease,
As you shall give the advice: Now, by the fire
That quickens Nilus' slime*, I go from hence,
Thy soldier, servant; making peace, or war,
As thou affect'st.

Cleo.

Cut my lace, Charmian, come ;

But let it be. I am quickly ill, and well:
So Antony loves.

Ant.

My precious queen, forbear;

And give true evidence to his love, which stands An honourable trial.

Cleo.

So Fulvia told me.

I pr'ythee, turn aside, and weep for her;
Then bid adieu to me, and say, the tears
Belong to Egyptt: Good now, play one scene
Of excellent dissembling; and let it look
Like perfect honour.

Ant.

You'll heat my blood; no more. Cleo. You can do better yet; but this is meetly.

Ant. Now, by my sword,

Cleo.

And target,-Still he mends;

But this is not the best: Look, pr'ythee, Charmian, How this Herculean Roman does become

The carriage of his chafe ‡.

Ant.

I'll leave you, lady.

Cleo. Courteous lord, one word.

Sir, you and I must part,

but that's not it:

Sir, you and I have lov'd,

but there's not it;

That you know well: Something it is I would,-
O, my oblivion § is a very Antony,

And I am all forgotten.

Ant.

But that your royalty

* Mud of the river Nile.

To me, the queen of Egypt.
Heat.

§ Oblivious memory.

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