Chromatography; Or, A Treatise on Colours and Pigments: And of Their Powers in PaintingTilt and Bogue, 1841 - 424 páginas |
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Página 60
... afford . If the expression of which we have treated in the preceding chapter may , according to no im- proper analogy , be called the poetry of colouring , the relations which are our present subject have equal claim to be considered as ...
... afford . If the expression of which we have treated in the preceding chapter may , according to no im- proper analogy , be called the poetry of colouring , the relations which are our present subject have equal claim to be considered as ...
Página 62
... afford facilities and conduct to har- monious colouring in ways as various , under the eye of taste and judgment , as the melodies and harmonies which music can elicit , through the genius of the composer , from a fine - toned and well ...
... afford facilities and conduct to har- monious colouring in ways as various , under the eye of taste and judgment , as the melodies and harmonies which music can elicit , through the genius of the composer , from a fine - toned and well ...
Página 124
... afford examples of white in ac- cordance with red , of which relation we have al- ready spoken , and shall have occasion to mention hereafter : — Upon those lips , the sweet fresh buds of youth , The holy dew of prayer lies like a pearl ...
... afford examples of white in ac- cordance with red , of which relation we have al- ready spoken , and shall have occasion to mention hereafter : — Upon those lips , the sweet fresh buds of youth , The holy dew of prayer lies like a pearl ...
Página 126
... afford , the perusal of them will help to imbue the mind with just references and the right appliances of colours . White , as a pigment , is of more extensive use than any other colour in oil painting and fresco , owing to its local ...
... afford , the perusal of them will help to imbue the mind with just references and the right appliances of colours . White , as a pigment , is of more extensive use than any other colour in oil painting and fresco , owing to its local ...
Página 177
... afford this colour best ; and the brighter and better the yellow ochre is from which this pigment is prepared , the brighter will this red be , and the better flesh tints will it afford with white . There are , however , native ochres ...
... afford this colour best ; and the brighter and better the yellow ochre is from which this pigment is prepared , the brighter will this red be , and the better flesh tints will it afford with white . There are , however , native ochres ...
Outras edições - Ver tudo
Chromatography: Or Treatise on Colours and Pigments as Used by Artists George Field Visualização de excertos - 1969 |
Chromatography: Or Treatise on Colours and Pigments as Used by Artists George Field Pré-visualização indisponível - 2020 |
Palavras e frases frequentes
according afford antient artist beautiful become bistre bright brown burnt called Cappagh carmine chemical chromatic citrine Cobalt Green cochineal colourist combined compound contrast copal copper greens dark denomination dries drying oil durable effect employed essential oils expression fresco gamboge glazing gray green grey ground harmony hence hydrogen impure air lakes latter less light and shade linseed oil litharge lours madder madder lakes mastic ments mixed mixture modes Naples yellow nature neutral ochre olive opaque orange orpiment oxide oxygen painter painting palette perfect permanent picture pigments poets powers of colours practice prepared primary colours principles of light produced properties proportion Prussian blue pure purple relations remarked rendered resins respect russet scarlet secondary semi-neutral SHAKSPERE Sienna Earth substances tertiary texture tints with white Titian tone transparent true ultramarine various varnish vehicle Venetian vermilion warm water and oil white lead
Passagens conhecidas
Página 308 - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings, And the night-raven sings; There, under ebon shades, and low-brow'd rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Página 13 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Página 261 - Look once more ere we leave this specular mount Westward, much nearer by south-west, behold Where on the ^Egean shore a city stands Built nobly, pure the air, and light the soil ; Athens, the eye of Greece, mother of arts And eloquence, native to famous wits Or hospitable, in her sweet recess, City or suburban, studious walks and shades ; See there the olive grove of Academe, Plato's retirement, where the Attic bird Trills her thick-warbled notes the summer long ; There flowery hill Hymettus, with...
Página 10 - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
Página 252 - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
Página 230 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Página 264 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Página 310 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Página 244 - Eye was fix'd on her alone. On her white Breast a sparkling Cross she wore, Which Jews might kiss, and Infidels adore. Her lively Looks a sprightly Mind disclose, Quick as her Eyes, and as...
Página 32 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.