Chromatography; Or, A Treatise on Colours and Pigments: And of Their Powers in PaintingTilt and Bogue, 1841 - 424 páginas |
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Página v
... respect and grateful attachment to yourselves , and an acknowledgment of the constant approbation and friendly attention with which you have encouraged the author , and identified him with yourselves and your pursuits . You , Gentlemen ...
... respect and grateful attachment to yourselves , and an acknowledgment of the constant approbation and friendly attention with which you have encouraged the author , and identified him with yourselves and your pursuits . You , Gentlemen ...
Página xiv
... respect to the application of colours in painting , recourse must be had to prac- tice under the direction of an able master , several of whom have published valuable works of in- struction in the various branches of the art * - for of ...
... respect to the application of colours in painting , recourse must be had to prac- tice under the direction of an able master , several of whom have published valuable works of in- struction in the various branches of the art * - for of ...
Página xv
... respects , they may become most important auxiliaries , not merely by recreating his faculties , instructing his hand , and extending the sphere of his art , by endless analogies throughout the field of history and phi- losophy , and ...
... respects , they may become most important auxiliaries , not merely by recreating his faculties , instructing his hand , and extending the sphere of his art , by endless analogies throughout the field of history and phi- losophy , and ...
Página xvi
... chromatic experiments appended to the quarto edition , in which respects it is hoped the work may be found improved in its practical utility . CONTENTS . CHAPTER Dedication Preface ... I. - ON COLOURING xvi PREFACE .
... chromatic experiments appended to the quarto edition , in which respects it is hoped the work may be found improved in its practical utility . CONTENTS . CHAPTER Dedication Preface ... I. - ON COLOURING xvi PREFACE .
Página 2
... ; and , if not identical with our ultramarine , was even of greater pecuniary value and esteem among the antients : and , with respect to the harmony of these paintings , it is obvious that it was of 2 ON COLOURING .
... ; and , if not identical with our ultramarine , was even of greater pecuniary value and esteem among the antients : and , with respect to the harmony of these paintings , it is obvious that it was of 2 ON COLOURING .
Outras edições - Ver tudo
Chromatography: Or Treatise on Colours and Pigments as Used by Artists George Field Visualização de excertos - 1969 |
Chromatography: Or Treatise on Colours and Pigments as Used by Artists George Field Pré-visualização indisponível - 2020 |
Palavras e frases frequentes
according afford antient artist beautiful become bistre bright brown burnt called Cappagh carmine chemical chromatic citrine Cobalt Green cochineal colourist combined compound contrast copal copper greens dark denomination dries drying oil durable effect employed essential oils expression fresco gamboge glazing gray green grey ground harmony hence hydrogen impure air lakes latter less light and shade linseed oil litharge lours madder madder lakes mastic ments mixed mixture modes Naples yellow nature neutral ochre olive opaque orange orpiment oxide oxygen painter painting palette perfect permanent picture pigments poets powers of colours practice prepared primary colours principles of light produced properties proportion Prussian blue pure purple relations remarked rendered resins respect russet scarlet secondary semi-neutral SHAKSPERE Sienna Earth substances tertiary texture tints with white Titian tone transparent true ultramarine various varnish vehicle Venetian vermilion warm water and oil white lead
Passagens conhecidas
Página 308 - Hence loathed Melancholy Of Cerberus and blackest midnight born, In Stygian Cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy, Find out some uncouth cell, Where brooding darkness spreads his jealous wings, And the night-raven sings; There, under ebon shades, and low-brow'd rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Página 13 - Yet nature is made better by no mean, But nature makes that mean: so, o'er that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race: this is an art Which does mend nature, — change it rather; but The art itself is nature.
Página 261 - Look once more ere we leave this specular mount Westward, much nearer by south-west, behold Where on the ^Egean shore a city stands Built nobly, pure the air, and light the soil ; Athens, the eye of Greece, mother of arts And eloquence, native to famous wits Or hospitable, in her sweet recess, City or suburban, studious walks and shades ; See there the olive grove of Academe, Plato's retirement, where the Attic bird Trills her thick-warbled notes the summer long ; There flowery hill Hymettus, with...
Página 10 - tis the mind that makes the body rich ; And as the sun breaks through the darkest clouds, So honour peereth in the meanest habit. What, is the jay more precious than the lark, Because his feathers are more beautiful ? Or is the adder better than the eel, Because his painted skin contents the eye ? O, no, good Kate ; neither art thou the worse For this poor furniture, and mean array.
Página 252 - Awake : The morning shines, and the fresh field Calls us ; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colours, how the bee Sits on the bloom extracting liquid sweet.
Página 230 - Fair laughs the morn, and soft the zephyr blows While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Página 264 - Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Página 310 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Página 244 - Eye was fix'd on her alone. On her white Breast a sparkling Cross she wore, Which Jews might kiss, and Infidels adore. Her lively Looks a sprightly Mind disclose, Quick as her Eyes, and as...
Página 32 - What hands are here? ha! they pluck out mine eyes! Will all great Neptune's ocean wash this blood Clean from my hand? No; this my hand will rather The multitudinous seas incarnadine, Making the green one red.