Daidalos and the Origins of Greek ArtPrinceton University Press, 09/04/1995 - 411 páginas In a major revisionary approach to ancient Greek culture, Sarah Morris invokes as a paradigm the myths surrounding Daidalos to describe the profound influence of the Near East on Greece's artistic and literary origins. |
Índice
V | 3 |
VI | 36 |
VII | 60 |
VIII | 73 |
IX | 101 |
X | 124 |
XI | 150 |
XII | 172 |
XVII | 257 |
XVIII | 269 |
XIX | 271 |
XX | 272 |
XXI | 288 |
XXII | 318 |
XXIII | 336 |
XXIV | 362 |
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Palavras e frases frequentes
Achilles adjective Aegean Akropolis Amazons ancient Apollo appears Archaeology archaic period armor artist Athenian Athens Attic attributed Bacchylides barbarian battle Boardman Brommer Canaanite century B.C. Chapter craftsmen Cretan Crete cult culture Cypriote Cyprus Daidalos Daidalos's Delphi Diodorus divine Dreros early classical early Greek East Eastern epic epithet Euripides fifth century Figure frag goddess gods gold Greece Greek art Greek sculpture Hephaistos Herakles Herodotus heroes Hesiod Homeric Iliad inspired invention Ionian Iron Age Kadmos king Knossos Kothar Late Bronze Age legend Levant Levantine Marathon Mediterranean Minoan Minos monuments motifs Mycenaean myth mythology narrative Odyssey Oriental Painter passage Pausanias Persian wars Phoenician Phönizier im Westen Pindar Plataia Plutarch poetic poetry Poseidon pottery praise Red-figure ritual role Salamis sanctuary scenes Semitic Sicily Sokrates sources statues style suggests temple testimonia Thasos Thebes Theseus tion tradition Ugaritic victory western words Zeus δὲ ἐν καὶ