Studies of ShakspereG. Routledge, 1868 - 560 páginas |
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Página 14
... imagination , and a lie , are the same thing is very characteristic : - " The writers of our time are so led away with vain glory that their only endeavour is to pleasure the hu- mour of men , and rather with vanity to con- tent their ...
... imagination , and a lie , are the same thing is very characteristic : - " The writers of our time are so led away with vain glory that their only endeavour is to pleasure the hu- mour of men , and rather with vanity to con- tent their ...
Página 17
... imagination to con- his ' School of Abuse ' to Sidney ; and Spen- jure you to believe for true what he writeth : ser ... imaginative ground - plat the principal liars , I answer paradoxically , of a profitable invention . " but truly , I ...
... imagination to con- his ' School of Abuse ' to Sidney ; and Spen- jure you to believe for true what he writeth : ser ... imaginative ground - plat the principal liars , I answer paradoxically , of a profitable invention . " but truly , I ...
Página 24
... imagination of the audience by speech was to be made more intelligible by a sign - painting pantomime . Nothing could be more characteristic of a very rude state of art , almost the rudest , than the dumb - shows which introduce each ...
... imagination of the audience by speech was to be made more intelligible by a sign - painting pantomime . Nothing could be more characteristic of a very rude state of art , almost the rudest , than the dumb - shows which introduce each ...
Página 44
... imagination has created . They must be placed by the poet's power of combination in the various relations which they must maintain through a long and sometimes complicated action : he must see distinctly to an audience , so that even ...
... imagination has created . They must be placed by the poet's power of combination in the various relations which they must maintain through a long and sometimes complicated action : he must see distinctly to an audience , so that even ...
Página 46
... imagination , take Tamora out of the class of ordinary women . It is in her mouth that we find , for the most part ... imaginative conception of the speaker , that she was to personate Re- venge : - " Know thou , sad man , I am not ...
... imagination , take Tamora out of the class of ordinary women . It is in her mouth that we find , for the most part ... imaginative conception of the speaker , that she was to personate Re- venge : - " Know thou , sad man , I am not ...
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Palavras e frases frequentes
action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV honour John Jonson Julius Cæsar King labour lady Lear live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy Troilus and Cressida true truth verse words writer written
Passagens conhecidas
Página 478 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Página 235 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Página 490 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lovers
Página 494 - When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate, That Time will come and take my love away.
Página 497 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Página 161 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.
Página 496 - Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Página 103 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Página 106 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Página 470 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's •waste...