The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10/11/2006 - 172 páginas
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Página xviii
... Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave created the role at the Aldwych Theatre in ...
... Andrew Leigh, and again in 1937 directed by Esme Church; Katharine Hepburn portrayed the heroine at the Cort Theatre in New York City in 1950 directed by Michael Benthall, and Vanessa Redgrave created the role at the Aldwych Theatre in ...
Página xxxv
... Andrew Leigh in the old style, but her second performance in 1937 was produced by Esme Church in the new style. In the performance of Katharine Hepburn at the Cort Theatre in New York in 1950, Michael Benthall used aspects of the old ...
... Andrew Leigh in the old style, but her second performance in 1937 was produced by Esme Church in the new style. In the performance of Katharine Hepburn at the Cort Theatre in New York in 1950, Michael Benthall used aspects of the old ...
Página xxxvi
... Andrew Leigh (Forbes 281-282). However, the director cut lengthy passages and the elaborate setting and costumes created realistic stage pictures but distracted the attention of the audience from Miss Evan's fine performance. Although ...
... Andrew Leigh (Forbes 281-282). However, the director cut lengthy passages and the elaborate setting and costumes created realistic stage pictures but distracted the attention of the audience from Miss Evan's fine performance. Although ...
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Índice
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Outras edições - Ver tudo
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Pré-visualização limitada - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Passagens conhecidas
Página xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.