The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10/11/2006 - 172 páginas
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Página xxxii
... Orlando, the special object of Duke Frederick's hatred. Orlando was the son of Sir Rowland de Boys, who in his lifetime had been one of the banished Duke's most loyal supporters. When Sir Rowland died, he had charged his oldest son ...
... Orlando, the special object of Duke Frederick's hatred. Orlando was the son of Sir Rowland de Boys, who in his lifetime had been one of the banished Duke's most loyal supporters. When Sir Rowland died, he had charged his oldest son ...
Página xxxiii
... Orlando. Rosalind, who is in love with Orlando, decides to remain disguised as Ganymede, and meets with Orlando, who does not recognize her. Rosalind tells the lovesick Orlando to meet “him” at “his” cottage for a remedy for Orlando's ...
... Orlando. Rosalind, who is in love with Orlando, decides to remain disguised as Ganymede, and meets with Orlando, who does not recognize her. Rosalind tells the lovesick Orlando to meet “him” at “his” cottage for a remedy for Orlando's ...
Página xxxiv
... Orlando's verses by hugging them to her heart as she talked with Orlando himself about them (Sprague 37). On December 12, 1836, Ellen Tree chose the role of Rosalind for her American debut at the Park Theatre. “She excited enthusiastic ...
... Orlando's verses by hugging them to her heart as she talked with Orlando himself about them (Sprague 37). On December 12, 1836, Ellen Tree chose the role of Rosalind for her American debut at the Park Theatre. “She excited enthusiastic ...
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Índice
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Outras edições - Ver tudo
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Pré-visualização limitada - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Passagens conhecidas
Página xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.