The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10/11/2006 - 172 páginas
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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... Theatre Guild =1 the Con Thea“: in New York Guy in 1950. The Legacy of Katharine Hepburn: Fine Art as a Way. Front Cover.
... Theatre Guild =1 the Con Thea“: in New York Guy in 1950. The Legacy of Katharine Hepburn: Fine Art as a Way. Front Cover.
Página xvii
... Theatre Guild at the Cort Theatre in New York City in 1950 Cover Illustration Abstract William Shakespeare created Rosalind in the pastoral comedy As. xvii Cover Illustration.
... Theatre Guild at the Cort Theatre in New York City in 1950 Cover Illustration Abstract William Shakespeare created Rosalind in the pastoral comedy As. xvii Cover Illustration.
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... Theatre Guild. Theresa Helburn and Lawrence Langner, production supervisors, were interested in the audience attraction of Miss Hepburn. They exploited her career to promote their organization. They shipped Mr. Benthall from England to ...
... Theatre Guild. Theresa Helburn and Lawrence Langner, production supervisors, were interested in the audience attraction of Miss Hepburn. They exploited her career to promote their organization. They shipped Mr. Benthall from England to ...
Página xxii
... Theatre Guild commercial success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the ...
... Theatre Guild commercial success. The director, actress and crew did not work together as one unit. Although Miss Hepburn involved herself in every aspect of the production, her assistance was not sufficient to unify the efforts of the ...
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Índice
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Outras edições - Ver tudo
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Pré-visualização limitada - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Passagens conhecidas
Página xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.