The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A MemoirAuthorHouse, 10/11/2006 - 172 páginas
THE LEGACY OF KATHARINE HEPBURN: Fine Art as a Way of Life Maryann Pasda DiEdwardo Memoir The legacy of the late Katharine Hepburn undeniably benefits a twenty-first century audience, because Kate identifies the artistic spirit. As one of the most important women of the twentieth century, Hepburn was an artist who exemplified the independent character, freedom and opportunity available to women as paramount whether she was on stage or in film. As the late Hepburn, she has become a living art spirit with a legacy that acts as a shining example. |
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Página xxiv
... style in drama and eventually in art as a past time enriched her life and allowed her to be happy in the midst of the tensions of career and personal intrigue of love and family. I intend to analyze the need for stage history in our ...
... style in drama and eventually in art as a past time enriched her life and allowed her to be happy in the midst of the tensions of career and personal intrigue of love and family. I intend to analyze the need for stage history in our ...
Página xxxiv
... style of acting to the role. In fact, some established their reputations with portrayals of Rosalind. For example, when Ada Rehan appeared in Augustin Daly's Americanmade revival at the Lyceum in England on July 15, 1890, “Miss Rehan's ...
... style of acting to the role. In fact, some established their reputations with portrayals of Rosalind. For example, when Ada Rehan appeared in Augustin Daly's Americanmade revival at the Lyceum in England on July 15, 1890, “Miss Rehan's ...
Página xxxv
... style, “Shakespeare Interpreted”: ...Shakespeare's own lines conjure up backgrounds. If scenery is introduced at all ... style, but her second performance in 1937 was produced by Esme Church in the new style. In the performance of ...
... style, “Shakespeare Interpreted”: ...Shakespeare's own lines conjure up backgrounds. If scenery is introduced at all ... style, but her second performance in 1937 was produced by Esme Church in the new style. In the performance of ...
Página xxxvi
... style. Ironically, the new practices are similar to methods of production during Shakespeare's time. Then, “the plays of Shakespeare lived in their true medium in the care of actors on the stage” (Purdom 147). Emphasis on the ...
... style. Ironically, the new practices are similar to methods of production during Shakespeare's time. Then, “the plays of Shakespeare lived in their true medium in the care of actors on the stage” (Purdom 147). Emphasis on the ...
Página 2
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Índice
CHAPTER ONE | 1 |
CHAPTER TWO | 18 |
CHAPTER THREE Conclusions | 28 |
Edith Evans Performances in 1926 with Old Vic | 58 |
List of Performing Arts Research Libraries | 65 |
Outras edições - Ver tudo
The Legacy of Katharine Hepburn: Fine Art as a Way of Life: A Memoir Maryann Pasda Diedwardo Pré-visualização limitada - 2008 |
The Legacy of Katharine Hepburn: Fine Art As a Way of Life: a Memoir Maryann Pasda Diedwardo Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
Academy Award acting actors actress allow American appeared Arden artist audience Available become best actress career cast Center Chapter character Church classroom College comedy Company costumes create Critics cultural curriculum Date Decade developed direction director drama Edith Evans educational effort England English fact film fine art follow Forest human important interpretation January journal Katharine Hepburn legacy Library lighting lives London method Michael Miss Evans Miss Hepburn nature nomination offers Old Vic Online opening original Orlando Oscar paradigm performance play played Rosalind portrayal portrayed preparation present production reader Review role romantic Rosalind scene scenery Shakespeare spirit stage history star style success suggest Teaching technical Theatre Theatre Arts theatrical theory thesis transformed twentieth century Vanessa Redgrave voice woman women writing York
Passagens conhecidas
Página xx - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modem instances; And so he plays his part.