That of his temple Janus barr'd the door. "But all the mighty standard yet had wrought, "Hear now, and wonder at, what next I tell. 1 The third Cæsar.] The eagle in the hand of Tiberius, the third of the Cæsars, outdid all its achievements, both past and future, by becoming the instrument of that mighty and mysterious act of satisfaction made to the divine justice in the crucifixion of our Lord. This is Lombardi's explanation; and he deserves much credit for being right, where all the other commentators, as far as I know, are wrong. See note to Purg. Canto xxxii. 50. 2 Vengeance for vengeance.] This will be afterwards explained by the Poet himself. See next Canto, v. 47, and note. 3 Charlemain.] Dante could not be ignorant that the reign of Justinian was long prior to that of Charlemain; but the spirit of the former emperor is represented, both in this instance and in what follows, as conscious of the events that had taken place after his own time. The one.] The Guelph party. 5 The yellow lilies.] The French ensign. 6 The other.] The Ghibelline party. 7 Ye Ghibellines.] "Authors differ much as to the beginning of these factions, and the origin of the names by which they were distinguished. Some say that they began in Italy as early as the time of the Emperor Frederick I. in his well-known disputes with Pope Alexander III. about the year 1160. Others make them more ancient, dating them from the reign of the Emperor Henry IV. who died in 1125. But the most common opinion is, that they arose in the contests between the Emperor Frederick II. and Beneath another standard: ill is this Follow'd of him, who severs it and justice: And let not with his Guelphs the new-crown'd Charles 1 Have rent the casing. Many a time ere now "This little star is furnish'd with good spirits, Pope Gregory IX., and that this Emperor, wishing to ascertain who were his own adherents, and who those of the Pope, caused the former to be marked by the appellation of Ghibellines, and the latter by that of Guelphs. It is more probable, however, that the factions were at this time either renewed, or diffused more widely, and that their origin was of an earlier date, since it is certain that G. Villani, b. v. c. xxxvii., Ricordano Malaspina, c. civ., and Pietro Buoninsegni, b. i., of their histories of Florence, are agreed, that even from 1215, that is long before Frederick had succeeded to the Empire, and Gregory to the Pontificate, by the death of Buondelmonte Buondelmonti, one of the chief gentlemen in Florence, (see Par. Canto xvi. v. 139,) the factions of the Guelfi and Ghibellini were introduced into that city.' A. G. Artegiani, Annotations on the Quadriregio, p. 180. "The same variety of opinion prevails with regard to the origin of the names. Some deduce them from two brothers, who were Germans, the one called Guelph and the other Gibel, who being the partizans of two powerful families in Pistoia, the Panciatichi, and the Cancellieri, then at enmity with each other, were the first occasion of these titles having been given to the discordant factions. Others, with more probability, derive them from Guelph or Guelfone, Duke of Bavaria, and Gibello, a castle where his antagonist, the Emperor Conrad the Third, was born; in consequence of a battle between Guelph and Henry the son of Conrad, which was fought (according to Mini, in his Defence of Florence, p. 48) A. D. 1138. Others assign to them an origin yet more ancient; asserting, that at the election of Frederick I. to the Empire, the Electors concurred in chusing him, in order to extinguish the inveterate discords between the Guelphs and Ghibellines, that prince being descended by the paternal line from the Ghibellines, and by the maternal from the Guelphs. Bartolo, however, in his tractate de Guelphis et Gibellinis, gives an intrinsic meaning to these names from certain passages in Scripture. 'Sicut Gibellus interpreta tur locus fortitudinis, ita Gibellini appellantur confidentes in fortitudine militum et armorum, et sicut Guelpha interpretatur os loquens, ita Guelphi interpretantur confidentes in orationibus et in divinis.' What value is to be put on this interpretation, which well accords with the genius of those times, when it was perhaps esteemed a marvellous mystery, we leave it to others to decide." Ibid. 1 Charles.] The commentators explain this to mean Charles II. king of Naples and Sicily. Is it not more likely to allude to Charles of Valois, son of Philip III. of France, who was sent for, about this time, into Italy by Pope Boniface, with the promise of being made emperor? See G. Villani, lib. viii. cap. xlii, And, when desires1 thus err in their intention, True love must needs ascend with slacker beam. The close proportion. Hence doth heavenly justice It ne'er can warp to any wrongfulness. Of diverse voices is sweet music made: Render sweet harmony among these wheels. That were his foes, have little cause for mirth. 1 When desires.] When honour and fame are the chief motives to action, that love, which has heaven for its object, must necessarily become less fervent. 2 Romeo's light.] The story of Romeo is involved in some uncertainty. The name of Romeo signified, as we have seen in the note Purg. Canto xxxiii. v. 78, one who went on a pilgrimage to Rome. The French writers assert the continuance of his ministerial office even after the decease of his sovereign, Raymond Berenger, Count of Provence: and they rest this assertion chiefly on the fact of a certain Romieu de Villeneuve, who was the contemporary of that prince, having left large possessions behind him, as appears by his will preserved in the archives of the bishoprick of Vence. That they are right as to the name at least, would appear from the following marginal note on the Monte Casino MS. Romeo de Villanova districtus civitatis Ventiæ de Provincia olim administratoris Raymundi Belingerj Comitis de Provincia-ivit peregrinando contemplatione ad Deum. Yet it is improbable, on the other hand, that the Italians, who lived so near the time, should be misinformed in an occurrence of such notoriety. According to them, after he had long been a faithful steward to Raymond, when an account was required from him of the revenues which he had carefully husbanded, and his master as lavishly disbursed, "he demanded the little mule, the staff, and the scrip, with which he had first entered into the Count's service, a stranger pilgrim from the shrine of St. James, in Galicia, and parted as he came; nor was it ever known whence he was, or whither he went." G. Villani, lib. vi. c. xcii. The same incidents are told of him at the conclusion of cap. xxviii. lib. ii. of Fazio degli Uberti's Dittamondo. 3 Four daughters.] Of the four daughters of Raymond Berenger, Margaret, the eldest, was married to Louis IX. of France; Eleanor, the next, to Henry III. of England; Sancha, the third, to Richard, Henry's brother, and King of the Romans; and the youngest, Beatrix, to Charles I. King of Naples and Sicily, and brother to Louis. Raymond Berenger.] This prince, the last of the house of Barcelona, who was Count of Provence, died in 1245. He is in the list of Provençal poets. See Millot, Hist. Litt. des Troubadours, Became a queen: and this for him did Romeo, A reckoning of that just one, who return'd CANTO VII. ARGUMENT. In consequence of what had been said by Justinian, who together with the other spirits have now disappeared, some doubts arise in the mind of Dante respecting the human redemption. These difficulties are fully explained by Beatrice. "HOSANNA Sanctus Deus Sabaoth, Felices ignes horum malahoth." Thus chanting saw I turn that substance bright2, Revolving; and the rest, unto their dance, Yet blank awe, As one in slumber held. Not long that mood As might have made one blest amid the flames 3, "Thou in thy thought art pondering (as I deem, tom. ii. p. 212. But M. Raynouard could find no manuscript of his works. See Choix des Poésies des Troubadours, tom. v. p. vii. 1 Hosanna.] "Hosanna holy God of Sabaoth, abundantly illumining with thy brightness the blessed fires of these kingdoms." 2 That substance bright. Justinian. 3 As might have made one blest amid the flames.] So Giusto de' Conti, Bella Mano. "Qual salamandra." Che puommi nelle fiamme far beato. And what I deem is truth) how just revenge For by one death God and the Jews were pleased; 1 That man, who was unborn.] Adam. 2 Different effects.] The death of Christ was pleasing to God, inasmuch as it satisfied the divine justice; and to the Jews, because it gratified their malignity: and while heaven opened for joy at the ransom of man, the earth trembled through compassion for its Maker. 3 A just vengeance.] The punishment of Christ by the Jews, although just as far as regarded the human nature assumed by him, and so a righteous vengeance of sin, yet being unjust as it regarded the divine nature, was itself justly revenged on the Jews by the destruction of Jerusalem. |