Ah! happy he who thus, in magic themes,
O'er worlds bewitch'd, in early rapture dreams,
Where wild Enchantment waves her potent wand,
And Fancy's beauties fill her fairy land;
Where doubtful objects strange desires excite,
And Fear and Ignorance afford delight.
But lost, for ever lost, to me these joys,
Which Reason scatters, and which Time destroys;
Too dearly bought: maturer judgment calls
My busied mind from tales and madrigals;
My doughty gian: all are slain or fled,
And all my knignts-blue, green, and yellow-dead!
No more the midnight fairy tribe I view,
All in the merry moonshine tippling dew;
E'en the last lingering fiction of the brain,
The churchyard ghost, is now at rest again;
And all these wayward wanderings of my youth
Fly Reason's power, and shun the light of Truth.
With Fiction then does real joy reside,
And is our reason the delusive guide?
Is it then right to dream the syrens sing?
Or mount enraptured on the dragon's wing?
No; 'tis the infant mind, to care unknown,
That makes th' imagined paradise its own;
Soon as reflections in the bosom rise,
Light slumbers vanish from the clouded eyes:
The tear and smile, that once together rose,
Are then divorced; the head and heart are foes:
Enchantment bows to Wisdom's serious plan,
And Pain and Prudence make and mar the man.
While thus, of power and fancied empire vain,
With various thoughts my mind I entertain;
While books, my slaves, with tyrant hand I seize,
Pleased with the pride that will not let them pleasu,
Sudden I find terrific thoughts arise,
And sympathetic sorrow fills my eyes;
For, lo! while yet my heart admits the wound,
I see the CRITIC army ranged around.
Foes to our race! if ever ye have known
A father's fears for offspring of your own;
If ever, smiling o'er a lucky line,
Ye thought the sudden sentiment divine,
Then paused and doubted, and then, tired of doub.,
With rage as sudden dash'd the stanza out ;-
If, after fearing much and pausing long,
Ye ventured on the world your labour'd song,
And from the crusty critics of those days
Implored the feeble tribute of their praise;
Remember now the fears that moved you then,
And, spite of truth, let mercy guide your pen.
What vent'rous race are ours! what mighty foes
Lie waiting all around them to oppose!
What treacherous friends betray them to the fight!
What dangers threaten them.-yet still they write:
A hapless tribe! to every evil born,
Whom villains hate, and fools affect to scorn:
Strangers they come, amid a world of woe,
And taste the largest portion ere they go.
Pensive I spoke, and cast mine eyes around
The roof, methought, return'd a solemn sound;
Each column seem'd to shake, and clouds, like smoke,
From dusty piles and ancient volumes broke;
Gathering above, like mists condensed they seem,
Exhaled in summer from the rushy stream;
Like flowing robes they now appear, and twine
Round the large members of a form divine;
His silver beard, that swept his aged breast,
His piercing eye, that inward light express'd,
Were seen, but clouds and darkness veil'd the rest.
Fear chill'd my heart: to one of mortal race,
How awful seem'd the Genius of the place!
So in Cimmerian shores, Ulysses saw
His parent-shade, and shrunk in pious awe;
Like him I stood, and wrapt in thought profound,
When from the pitying power broke forth a solemn sound :"Care lives with all; no rules, no precepts save
The wise from woe, no fortitude the brave;
Grief is to man as certain as the grave:
Tempests and storms in life's whole progress rise,
And hope shines dimly through o'erclouded skies
Some drops of comfort on the favour'd fall,
But showers of sorrow are the lot of all:
Partial to talents, then, shall Heav'n withdraw
Th' afflicting rod, or break the general law?
Shall he who soars, inspired by loftier views,
Life's little cares and little pains refuse?
Shall he not rather feel a double share
Of mortal woe, when doubly arm'd to bear?
"Hard is his fate who builds his peace of mind
On the precarious mercy of mankind;
Who hopes for wild and visionary things,
And mounts o'er unknown seas with vent'rous wings;
But as, of various evils that befall
The human race, some portion goes to all;
To him perhaps the milder lot's assigned
Who feels his consolation in his mind.
And, lock'd within his bosom, pears about
A mental charm for every care without.
E'en in the pangs of each domestic grief,
Or health or vigorous hope affords relief;
And every wound the tortured bosom feels,
Or virtue bears, or some preserver heals;
Some generous friend of ample power possess'd;
Some feeling heart, that bleeds for the distress'd;
Some breast that glows with virtues all divine;
Some noble RUTLAND, misery's friend and thine.
"Nor say, the Muse's song, the Poet's pen,
Merit the scorn they meet from little men.
With cautious freedom if the numbers flow,
Not wildly high, nor pitifully low;
If vice alone their honest aims oppose,
Why so ashamed their friends, so loud their foes?
Happy for men in every age and clime,
If all the sons of vision dealt in rhyme.
Go on, then, Son of Vision! still pursue
Thy airy dreams; the world is dreaming too.
Ambition's lofty views, the pomp of state,
The pride of wealth, the splendour of the great,
Stripp'd of their mask, their cares and troubles known,
Are visions far less happy than thy own:
Go on and, while the sons of care complain,
Be wisely gay and innocently vain ;
While serious souls are by their fears undone,
Blow sportive bladders in the beamy sun,
And call them worlds! and bid the greatest show
More radiant colours in their worlds below:
Then, as they break, the slaves of care reprove,
And tell then, Such are all the toys they love."
The Subject proposed-Remarks upon Pastoral Poetry-A Tract of Country nesr the Coast described-An impoverished Borough-Smugglers and their A sistants-Rude Manners of the Inhabitants-Ruinous Effects of a high Tide The Village Life more generally considered: Evils of it-The youthful La bourer-The old Man: his Soliloquy-The Parish Workhouse: its Inhabitants The sick Poor: their Apothecary-The dying Pauper-The Village Priest.
THE Village Life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour
Age, in its hour of languor, finds at last;
What form the real Picture of the Poor,
Demand a song-the Muse can give no more.
Fled are those times, when, in harmonious strains,
The rustic poet praised his native plains:
No Shepherds now, in smooth alternate verse,
Their country's beauty or their nymphs rehearse;
Yet still for these we frame the tender strain,
Still in our lays fond Corydons complain,
And shepherds' boys their amorous pains reveal,
The only pains, alas! they never feel.
On Mincio's banks, in Cæsar's bounteous reign,
If Tityrus found the Golden Age again,
Must sleepy bards the flattering dream prolong,
Mechanic echoes of the Mantuan song?
From Truth and Nature shall we widely stray,
Where Virgil, not where Fancy, leads the way
Yes, thus the Muses sing of happy swains,
Because the Muses never knew their pains:
They boast their peasant's pipes; but peasants now
Resign their pipes and plod behind the plough;
And few, amid the rural tribe, have time
To number syllables and play with rhyme:
Save honest DUCK, what son of verse could share
The poet's rapture and the peasant's care?
Or the great labours of the field degrade,
With the new peril of a poorer trade?
From this chief cause these idle praises spring,
That themes so easy few forbear to sing;
For no deep thought the trifling subjects ask;
To sing of shepherds is an easy task:
The happy youth assumes the common strain,
A nymph his mistress, and himself a swain ;
With no sad scenes he clouds his tuneful prayer,
But all, to look like her, is painted fair.
I grant indeed that fields and flocks have charına
For him that grazes or for him that farms;
But when amid such pleasing scenes I trace
The poor laborious natives of the place,
And see the mid-day sun, with fervid ray,
On their bare heads and dewy temples play;
While some, with feebler heads and fainter hearts
Deplore their fortune, yet sustain their parts-
Then shall I dare these real ills to hide
In tinsel trappings of poetic pride?
No; cast by Fortune on a frowning coast,
Which neither groves nor happy valleys boast;
Where other cares than those the Muse relates,
And other shepherds dwell with other mates;
By such examples taught, I paint the Cot,
As Truth will paint it, and as Bards will not:
Nor you, ye Poor, of letter'd scorn complain,
То you the smoothest song is smooth in vain ;
O'ercome by labour, and bow'd down by time,
Feel you the barren flattery of a rhyme?
Can poets soothe you, when you pine for bread,
By winding myrtles round your ruin'd shed?
Can their light tales your weighty griefs o'erpower,
Or glad with airy mirth the toilsome hour?
Lo! where the heath, with withering brake grown o'er,
Lends the light turf that warms the neighbouring poor
From thence a length of burning sand appears,
Where the thin harvest waves its wither'd ears;
Rank weeds, that every art and care defy,
Reign o'er the land, and rob the blighted rye.
There thistles stretch their prickly arms afar,
And to the ragged infant threaten war;
There poppies nodding, mock the hope of toil,
There the blue bugloss paints the sterile soil;
Hardy and high, above the slender sheaf,
The slimy mallow waves her silky leaf;
O'er the young shoot the charlock throws a shade,
And clasping tares cling round the sickly blade
With mingled tints the rocky coasts abound,
And a sad splendour vainly shines around.
So looks the nymph whom wretched arts adorn,
Betray'd by man, then left for man to scorn;
Whose cheek in vain assumes the mimic rose,
While her sad eyes the troubled breast disclose"
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