Imagens das páginas


Chladni, 10233, 0. Traité d'acoustique. Par E. F. F. Chladni. Paris,1809.
Higgins, 6546, D. The philosophy of sound, and history of music. By W. :)
M. Higgins. London, 1838.
Lardner, 9866, D. Handbook of natural philosophy (including sound). By
D. Lardner. London, 1851. -
Lieber, 2498, Q. vol. 2. The vocal sounds of Laura Bridgman. By Dr. F.
Lieber. Washington, 1851.
Purdie, 12297, 0.2. Form and sound. By T. Purdie. Edinburgh, 1849.
Rush, 11254, O. The philosophy of the human voice. By J. Rush, M.D. .
Philadelphia, 1845. o
See also MUSIC.


Allston, 9421, D. Lectures on art, and poems. By Washington Allston. " Edited by R. H. Dana, Jr. New York, 1850. Bachhoffer, 9610, O. Chemistry, as applied to the fine arts. By George H. " Bachhoffer. London, 1837. Bell, 11651, O. The anatomy and philosophy of expression as connected with the fine arts. By Sir Charles Bell, K. H. 3d edition. London on 1844. s' Chapman, 2536, Q. The elements of art; a manual for the amateur, and is basis of study for the professional artist. By J. G. Chapman. Lon. .

don, 1848. oi Cleghorn, 8883, D. Ancient and modern art, historical and critical. By G. s. Cleghorn. 2 vols. London. to

Cousin, 10156, D. The philosophy of the beautiful. From the French of Victor Cousin. Translated, with notes and an introduction, by Jesse Cato Daniel. New York, 1849. 13180, O. Lectures on the true, the beautiful and the good. By M. W. Cousin. Increased by an appendix on French art. Translated by O. W. Wight. New York, 1854. * * D'Agincourt, 1308, F. History of art by its monuments, from its decline in the fourth century to its restoration in the sixteenth. Translated from the French of Seroux D'Agincourt in three thousand three hundred and thirty-five subjects, or three hundred and twenty-eight plates. London, 1847. De Quincy, 9478, & 11750, O. An essay on the nature, the end, and the means of imitation in the fine arts. From the French of M. Q. de Quincy, by J. C. Kent. London, 1837. Eastlake, 12059, O. Contributions to the literature of the fine arts. By C. L. Eastlake. London, 1848. Ferguson, 2538, Q. An historical inquiry into the true principles of beauty in art. By James Ferguson. London, 1849. Fortoul, 10699, O. De l'art en Allemagne. Par H. Fortoul. 2 tom. Paris, 1842. o Guizot, 12976, O. The fine arts, their nature and relations. By M. Guizot. Translated by Geo. Grove. With illustrations, by George Scharf, Jr. London, 1853.

Hancarville, 2668, Q, Récherches sur l'origine, l'esprit et les progrès des arts de la Grèce. 3 tomes. Londres, 1785. Harding, 2454, Q. The principles and practice of art. By J. D. Harding. London, 1845. Humphrey, 2600, Q. Ten centuries of art. Its progress in Europe from the 9th to the 19th century; with a glance at the artistic works of classical antiquity and concluding considerations on the probable influence of the great exhibition, &c. By Henry Noel Humphreys. London, 1852. Huntingdon, 9635, D. A general view of the fine arts, critical and historical. With an introduction by D. Huntingdon. New York, 1851. Losing, 9430, O. Laocoon, or the limits of poetry and painting. Translated from the German of Lessing. By William Ross. London, 1836. Losing, 6943, D. Outline history of the fine arts. By Benson J. Lossing. New York, 1840. Marricar, 9582, O. On the beautiful, the picturesque, the sublime. By the Rev. J. G. Macvicar, M. A. London, 1837. Morrifield, 13135, O. Dress as a fine art. With suggestions on children's dress. By Mrs. Merrifield. With an introduction on headdress. By Prof. Fairholt. Boston, 1854. Militia, 10279, O. Opere complete di Francesco Milizia risguardanti le belle arte. 6 vols. Bologna, 1826–1827. Newton, 12644, O. 2. On the method of the study of ancient art. By Charles Newton, Esq., M. A. Oxford, 1850. Price, 10801,.O. Sir Uvedale Price on the picturesque. With an essay on the origin of taste, and much original matter. By Sir Thomas Dick Lauder, Bart. Edinburgh, 1842. Rynolds, 8443, D. 2. Discourses delivered to the students of the Royal Academy. By Sir Joshua Reynolds, President. London, 1839. Riply, 9631, D. (Putnam's home cyclopedia, vol. 2.) Handbook of literature and the fine arts; comprising complete and accurate definitions of all terms employed in belles lettres, philosophy, theology, law, mythology, painting, music, sculpture, architecture, and all kindred arts. Compiled and arranged by George Ripley and Bayard Taylor. New York, 1852. Rochette, 11257, D. Lectures on ancient art. By Raoul Rochette. London, 1854. Sooner, 10635, D. Anecdotes of painters, engravers, sculptors, and architects, and curiosities of art. By Shearjashub Spooner, M. D. 3 vols. New York, 1853. Stirling, 12051, O. Annals of the artists of Spain. By Wm. Stirling, M. A. 3 vols. London, 1848. Tylor, 7145, D. The origin, progress and present condition of the fine arts in Britain and Ireland. By W. S. Taylor. 2 vols. London, 1841. sophilus, 2429, Q. Théophile, Prêtre et Moine. Essai sur des divers arts. Paris, 1843. – 11882, O. An essay upon various arts, in three books. By Theophilus, called also Rugerus, priest and monk, forming an encyclopaedia of Christian art of the eleventh century. Translated with notes, by Robert Hendrie. London, 1847. Tuckerman, 8658, D. Artist life, or sketches of American painters. By Henry T. Tuckerman. New York, 1847. "angen, 6526, D. Works of art and artists in England. By G. F. Waagen. 3 vols. London, 1838. Wallace, 10931, D. Art, scenery and philosophy in Europe. Being fragments from the portfolio of the late Horace Binney Wallace, Esquire. Philadelphia, 1855. 13 6

10822, D. The fine arts' courts in the Crystal Palace (of 1854). First series. Northwest side. 1. The Egyptian Court. 2. The Greek Court. 3. An apology for coloring the Greek Court. 4. The Roman Court. 5. The Alhambra Court. 6. The Nineveh Court. London, 1854.

10823, D. The fine arts' courts in the Crystal Palace. 2d series. Northeast side. 1. The Italian Court. 2. The Renaissance Court. 3. The Mediaeval Court. 4. The Byzantine Court. 5. A catalogue of modern sculpture. London, 1854.

6448, D. Remarks on ancient and modern art, in a series of essays. By an amateur. London, 1837.

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Billings, 2550, Q. 1. See p. 1168. Burnett, 2550, Q. 2. Landscape painting in oil colors. By John Burnett. London, 1849. 2464, Q. A treatise on painting. By John Burnett, F. R. S. London, 1837. Burtin, 11461, 0, Treatise on the knowledge necessary to amateurs in pic. tures. Translated and abridged from the French of M. François Xavier de Burtin. By Robert White, Esq. London, 1845. Calcott, 6277, D. Essays towards the history of painting. By Mrs. Calcott London, 1836. Carey, 10324, 0.6. National and commercial utility and profit of the arts of design. By Wm. Carey. Philadelphia, 1838. 13356, O. Ridolfi's critical letters on the style of Wm. Etty, Esq., R. A., &c. By William Carey. Nottingham, 1833. Gift of Isaac Lea, Esq. (hatto, 1379, F. The history and art of wood-engraving. By William A. Chatto. With specimens from the Illustrated London News. Lon. don, 1848. Chevreul, 10075, O. Leçons de chimie appliquée à la teinture. Par M. E. Chevreul. 2 vols. Paris, 1829. Daguerre, 6719, D. History and practice of photogenic drawing, on the true principles of the daguerreotype. By the inventor, L. J. M. Daguerre. Second edition. London, 1839. Eastlake, 11881, O. Materials for a history of oil painting. By Charles Lock Eastlake. London, 1847. Educards, 1240, F. The Napoleon medals. Engraved by the process of Achilles Collas. Edited by Edward Edwards. London, 1827. Fau, 12420, O. The anatomy of the external forms of man; intended for the use of artists, painters, and sculptors. By Dr. J. Fau, and Robert Knox, M. D. London, 1849. With a quarto vol. of plates. Field, 2388, Q. An essay on the analogy and harmony of colors. By George Field. London, 1817. Gift of the author. —- 10762, & 10538, O. Chromatography; or a treatise on colors and pig. ments, and of their powers in painting. By George Field. New edition, improved. London, 1841. Gift of the author. Fielding, 8679, D. The knowledge and restoration of old paintings. By T. H. Fielding. London, 1847. Goethe, 10537, O. Goethe's theory of colors. Translated from the German; with notes. By Charles L. Eastlake. London, 1840.

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Haydon, 11245, O. Lectures on painting and design. By B. R. Haydon. 2 vols. London, 1844. Head, 8767, D. A handbook of the history of the Spanish and French schools. of painting. By Sir E. Head. London, 1848. Howard, 8872, D. A course of lectures on painting. By H. Howard. London, 1848. Hunderpfund, 9013, D. The art of painting restored to its simplest and surest principles. From the German of Libertad Hundertpfund. London, 1849. Jackson, 9864, O. A treatise on wood engraving, historical and practical. With illustrations. By John Jackson. London, 1839. Kugler, 7338, D. A handbook of the history of painting. By Dr. Franz Kugler. 2 vols. Vol. 1: The Italian schools of painting. Edited by C. L. Eastlake. Vol. 2. The German, Flemish, and Dutch schools. Edited by Sir Edmund Head. London, 1842 and 1846. Lanzi, 9027, D. Lanzi's luminaries of painting. By the Rev. G. W. D. Evans. London, 1848. Laurent, 10061, O. Théorie de la peinture. Par M. Paul Laurent. A Paris, 1827. Lee, 10638, D. Familiar sketches of sculpture and sculptors. By the author of “Three experiments in living, &c.” (H. F. Lee.) 2 vols. Boston, 1854. Merrifield, 12200, O. Original treatises dating from the 12th to the 18th centuries, on the arts of painting in oil, miniature, mosaic and on glass; of gilding, dyeing, and the preparation of colors, and artificial gems. By Mrs. Merrifield. 2 vols. London, 1849. Opie, 8443, D. 1. Lectures on painting, delivered at the Royal Academy of Arts, London. By John Opie. Portrait. Thoughts on the present state of the fine arts in Great Britain. By J. Kennedy. London, 1839. Ponot, 6885, D. Manuel du dessinateur, ou traité complet du dessin, par A. M. Penot. Paris, 1829. Ruskin, 12756, O. 5. Pre-Raphaelitism. By Jno. Ruskin, author of “Modern Painters.” London, 1851. — 11755, O. & 8800, D. Modern painters. By a graduate of Oxford (John Ruskin). 2 vols. New York, 1847. —— 10763, D. Lectures on architecture, painting, &c. By John Ruskin. New York, 1854. Since, 8052, D. Manuels-Roret. Nouveau manuel complet de Galvanoplastie. Par M. Smee. Suivre d'un traité de Daguerreotypie. Par E. de Walicourt. Paris, 1845. Spencer, 11002, O. 14. Windication of claims to certain inventions and improvements in the graphic art. By Asa Spencer. Trining, 2623, Q. The elements of picturesque scenery; or studies of nature made in travel, with a view to improvement in landscape painting. By Henry Twining. London, 1853. — 12306, 0.2. The philosophy of painting; a theoretical and practical treatise. By Henry Twining. London, 1849. Vinci, 2326, Q. Tratto della pittura di Leonardo da Vinci et disegni che illustrano l'opera. 2 tomi. Roma, 1817. Woolnoth, 12967, O. See p. 1071. Worman, 8833, D. Lectures on painting, by the Royal Academicians, Barry, Opie, and Fuseli. Edited by Ralph N. Worman. London, 1848. 6349, D. Advice to proprietors on the care of valuable pictures painted in oil, with instructions for preserving, cleaning, and restoring them. By an artist. London, 1835. 8284, D. Handbook of young artists and amateurs in oil painting. By an American artist. New York, 1845.

12698, O. 1. Proceedings of the Franklin Institute relative to a school of design for women, &c. Philadelphia, 1851. 10481, D. Plain directions for obtaining photographic pictures by the calotype and energiatype; also upon albumenized paper and glass by collodion and albumen, &c.; including a practical treatise on photography, with a supplement containing the heliochrome process. Also practical hints on the daguerreotype. With woodcuts. Philadelphia, 1853. 9337, D. Sculpture and the plastic art; compiled by the author of the history of the art of painting. Boston, 1850. 2603, Q. 3. Statues of Old Mortality and his pony and of Sir Walter Scott at Laurel Hill Cemetery, near Philadelphia. Philadelphia, 1841.


Ackerman, 2564, Q. Selection of ornaments for the use of sculptors, painters, carvers, modellers, chasers, embossers, &c.; printed at R. Ackerman's. London, 1817. Allan, 1265, F. A pictorial tour in the Mediterranean. By John H. Allan. London, 1848. Allom, 2438, Q. Views in the Tyrol. From drawings by T. Allom. London. — 9391, O. Views in the Tyrol, from drawings by T. Allom, with descrip. tions by a companion of Hofer. London, 1836. Billings, 2550, Q. 1. See p. 1168. Brockedon, 1281, F. Italy illustrated and described. By Wm. Brockedon, London. Brown, 1279, F. Portrait gallery of distinguished American citizens. By William H. Brown. Hartford, 1845. Catlin, 10503, D. 2. Catalogue of Catlin's Indian gallery of portraits, &c. New York, 1838. Cleaveland, 2571, Q. The flowers personified; being a translation of Grandville’s “Les fleurs animées.” By N. Cleaveland. Colored plates. New York, 1847. Daniell, 1280, F. Oriental scenery; 150 views engraved by T. and W. Daniell. 3 vols. London, 1816. Darley, 2562, Q. 1. Illustrations of Rip Van Winkle, designed and etched by Felix O. C. Darley for the members of the American Art Union. 1848. 2562, Q. 2. Illustrations of the Legend of Sleepy Hollow; designed and etched by Felix O. C. Darley, for the members of the American Art Union. 1849. Deleuze, 10006, O. Histoire et description du muséum royal d'histoire naturelle, redigé par M. Deleuze. 2 vols. 1823. Doyle, 2638, Q. The foreign tour of Messrs. Brown, Jones and Robinson, being the history of what they saw and did in Belgium, Germany, Switzerland and Italy. By Richard Doyle. (Plates.) London, 1854. — 2649, Q. Manners and customs of y". Englyshe, drawn from y' quick by Richard Doyle. To which be added some extracts from Mr. Pips hys Diary. Contrybuted by Percival Leigh. London, 1850. Duchesne, 1208, F. Musée Français. Recueil des plus beaux tableaux, stao tues, et bas-reliefs qui existaient au Louvre avant 1813. Par Du. chesne Ainé, 4 tomes. A Paris.

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