Life of Mrs. Siddons, Volumes 1-2Harper, 1834 - 260 páginas |
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Página 13
... much of the emphasis of her daughter's ; and her portrait , which long graced Mrs. Siddons's drawing - room , has an intellectual expression of the strongest power : she gave you B the idea of a Roman matron . The father had.
... much of the emphasis of her daughter's ; and her portrait , which long graced Mrs. Siddons's drawing - room , has an intellectual expression of the strongest power : she gave you B the idea of a Roman matron . The father had.
Página 44
... expression , that " the power of Henderson , as an actor , was analytic . He was not contented with the mere light of common meaning . He showed it you through a prism , and reflected all the delicate and mingling hues that enter into ...
... expression , that " the power of Henderson , as an actor , was analytic . He was not contented with the mere light of common meaning . He showed it you through a prism , and reflected all the delicate and mingling hues that enter into ...
Página 60
... expression of her voice in singing . Un- fortunately for herself , she married Theophilus , the worthless son of Colley Cibber . She made her first appearance at Drury Lane with great éclat , in Hill's tragedy of " Zara , " but was soon ...
... expression of her voice in singing . Un- fortunately for herself , she married Theophilus , the worthless son of Colley Cibber . She made her first appearance at Drury Lane with great éclat , in Hill's tragedy of " Zara , " but was soon ...
Página 61
... expression . Tate Wilkinson , one of the most extraordi- nary mimics that ever lived , could imitate all the best actors and actresses of his time ; but the electrifying manner of Mrs. Cibber was beyond his reach , and he owns that he ...
... expression . Tate Wilkinson , one of the most extraordi- nary mimics that ever lived , could imitate all the best actors and actresses of his time ; but the electrifying manner of Mrs. Cibber was beyond his reach , and he owns that he ...
Página 62
... expression of grief . Garrick told Tate Wilkinson that she was apt to blubber her sorrows . Her features , it is generally allowed , were rather expressive than pleasing ; nay , to judge by her picture in Mathews's col- lection , they ...
... expression of grief . Garrick told Tate Wilkinson that she was apt to blubber her sorrows . Her features , it is generally allowed , were rather expressive than pleasing ; nay , to judge by her picture in Mathews's col- lection , they ...
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Palavras e frases frequentes
acting actor actress admiration affected afterward Aickin appearance applause Arpasia audience Barry beautiful Belvidera Bensley Boaden brother character Charles Kemble Cibber comedy comic Constance Coriolanus Covent Garden daughter dear death delighted Della Cruscan Desdemona drama Drury Lane Dublin Edinburgh Engravings expression eyes favour feel Fitz Hugh Garrick gave genius Guy's Cliff heard heart Henry heroine honour human husband imagine Isabella Jane Shore John Kemble King Lady Macbeth letter London look Lord majesty Margaret of Anjou mind Miss Wilkinson Moneses Montval mother nature never night noble person play poet poetry popularity Portrait powers Queen Katharine received recollections respecting Roger Kemble scene season seems Shak Shakspeare Shakspeare's Sheridan Siddons Siddons's speak spectators stage taste Tate Wilkinson tenderness theatre theatrical thing thou thought tion told tragedy tragic Vallori voice vols Warwick wife woman words young
Passagens conhecidas
Página 119 - Hie thee hither, That I may pour my spirits in thine ear ; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
Página 125 - All causes shall give way : I am in blood Stepp'd in so far that, should I wade no more, Returning were as tedious as go o'er : Strange things I have in head, that will to hand ; Which must be acted ere they may be scann'd.
Página 124 - Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand.
Página 51 - Pity it is, that the momentary beauties flowing from an harmonious elocution, cannot like those of poetry be their own record! That the animated graces of the player can live no longer than the instant breath and motion that presents them; or at best can but faintly glimmer through the memory, or imperfect attestation of a few surviving spectators.
Página 122 - Are you a man ? MACB. Ay, and a bold one, that dare look on that Which might appal the devil. LADY M. O proper stuff ! This is the very painting of your fear : This is the air-drawn dagger which, you said, Led you to Duncan. O, these flaws and starts, Impostors to true fear, would well become A woman's story at a winter's fire, Authorized by her grandam. Shame itself ! Why do you make such faces ? When all 's done, You look but on a stool.
Página 120 - I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Página 180 - Page. Madam, there is a lady in your hall, Who begs to be admitted to your presence. Lady. Is it not one of our invited friends? Page. No, far unlike to them ; it is a stranger. Lady. How looks her countenance ? Page.
Página 123 - Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day, And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens, and the crow...
Página 121 - Nought's had, all's spent, Where our desire is got without content : 'Tis safer to be that which we destroy Than by destruction dwell in doubtful joy.
Página 94 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me...