THESEUS, Duke of Athens. } in love with Hermia. HELENA, in love with Demetrius. LYSANDER, QUINCE, a Carpenter. SNUG, a Joiner. TITANIA, Queen of the Fairies. PEASE-BLOSSOM, COBWEB, MUSTARD-SEED, } Fairies. HIPPOLYTA, Queen of the Amazons, betrothed Other Fairies attending their King and Queen. to Theseus. Attendants on Theseus and Hippolyta. SCENE.-Athens, and a Wood near it. ACT I. SCENE I.-Athens. The Palace of THESEUS. Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and Attendants. The. Now, fair Hippolyta, our nuptial hour Draws on apace: four happy days bring in Another moon; but O! methinks how slow This old moon wanes; she lingers my desires, 4 With feigning voice, verses of feigning love; Stir up the Athenian youth to merriments; 12 Consent to marry with Demetrius, Awake the pert and nimble spirit of mirth; Turn melancholy forth to funerals; The pale companion is not for our pomp. Hippolyta, I woo'd thee with my sword, With pomp, with triumph, and with revelling. Enter EGEUS, HERMIA, LYSANDER, and Ege. Happy be Theseus, our renowned duke! with thee? The. What say you, Hermia? be advis'd, fai maid. 40 I beg the ancient privilege of Athens, 4 For aye to be in shady cloister mew'd, To live a barren sister all your life, 76 Her. So will I grow, so live, so die, my lord, Ere I will yield my virgin patent up 80 Unto his lordship, whose unwished yoke My soul consents not to give sovereignty. 60 Her. I do entreat your Grace to pardon me. The. Either to die the death, or to abjure Therefore, fair Hermia, question your desires; But, being over-full of self-affairs, 120 64 I have some private schooling for you both. 116 72 124 [Exeunt THESEUS, HIPPOLYTA, EGEUS, DEMETRIUS, and Train. Lys. How now, my love! Why is your cheek so pale? 128° How chance the roses there do fade so fast? Her. Belike for want of rain, which I could well The. Take time to pause; and, by the next Beteem them from the tempest of mine eyes. And what is mine my love shall render him; 96 Lys. Or, if there were a sympathy in choice,, War, death, or sickness did lay siege to it, Making it momentany as a sound, Lys. I am, my lord, as well deriv'd as he, Swift as a shadow, short as any dream, 144 There, gentle Hermia, may I marry thee, Her. Take comfort: he no more shall see my Lysander and myself will fly this place. 204 Lys. Helen, to you our minds we will unfold. Her. And in the wood, where often you and I My good Lysander! 168 Upon faint primrose-beds were wont to lie, I swear to thee by Cupid's strongest bow, When the false Troyan under sail was seen, Lys. Keep promise, love. Look, here comes move. 197 Emptying our bosoms of their counsel sweet, 216 221 22 As you on him, Demetrius dote on you! [Exit. 23 24 Things base and vile, holding no quantity, 23: 22 Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, dear; thy Thisby dear, and lady dear!' SCENE II. The Same. A Room in QUINCE'S House. Bot. An I may hide my face, let me play Thisby too. I'll speak in a monstrous little voice, 'Thisne, Thisne!' 'Ah, Pyramus, my lover 57 Quin. No, no; you must play Pyramus; and Flute, you Thisby. Bot. Well, proceed. 60 Quin. Robin Starveling, the tailor. Star. Here, Peter Quince. and STARVELING. Quin. Is all our company here? Bot. You were best to call them generally, man by man, according to the scrip. Quin. Here is the scroll of every man's name, which is thought fit, through all Athens, to play in our interlude before the duke and the duchess on his wedding-day at night. 7 Bot. First, good Peter Quince, say what the play treats on; then read the names of the actors, and so grow to a point. 10 Quin. Marry, our play is, The most lamentable comedy, and most cruel death of Pyramus and Thisby. 13 Bot. A very good piece of work, I assure you, and a merry. Now, good Peter Quince, call forth your actors by the scroll. Masters, spread yourselves. 17 Quin. Answer as I call you. Nick Bottom, the weaver. Bot. Ready. Name what part I am for, and proceed. 21 Quin. You, Nick Bottom, are set down for Pyramus. Bot. What is Pyramus? a lover, or a tyrant? Quin. A lover, that kills himself most gallantly for love. 26 Bot. That will ask some tears in the true performing of it: if I do it, let the audience look to their eyes; I will move storms, I will condole in some measure. To the rest: yet my chief humour is for a tyrant. I could play Ercles rarely, or a part to tear a cat in, to make all split. 33 36 4o Quin. Robin Starveling, you must play This by's mother. Tom Snout, the tinker. Snout. Here, Peter Quince. 64 Quin. You, Pyramus's father; myself, Thisby's father; Snug, the joiner, you the lion's part: and, I hope, here is a play fitted. 68 Snug. Have you the lion's part written? pray you, if it be, give it me, for I am slow of study. Quin. You may do it extempore, for it is nothing but roaring. 72 Bot. Let me play the lion too. I will roar, that I will do any man's heart good to hear me; I will roar, that I will make the duke say, 'Let him roar again, let him roar again.' 76 Quin. An you should do it too terribly, you would fright the duchess and the ladies, that they would shriek; and that were enough to hang us all. 80 All. That would hang us, every mother's son. Bot. I grant you, friends, if that you should fright the ladies out of their wits, they would have no more discretion but to hang us; but I will aggravate my voice so that I will roar you as gently as any sucking dove; I will roar you as 'twere any nightingale. 87 Quin. You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely, gentleman-like man; therefore, you must needs play Pyramus. 92 Bot. Well, I will undertake it. What beard were I best to play it in? Quin. Why, what you will. Bot. I will discharge it in either your straw. colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown colour beard, your perfect yellow. 99 Quin. Some of your French crowns have no hair at all, and then you will play bare-faced. But masters, here are your parts; and I am to entreat you, request you, and desire you, to con them by to-morrow night, and meet me in the palace wood, a mile without the town, by moonlight: there will we rehearse; for if we meet in the city, we shall be dogged with company, and our devices known. In the meantime I will draw a bill of properties, such as our play wants. I pray you, fail me not. Bot. We will meet; and there we may rehearse more obscenely and courageously. Take pains; be perfect; adieu. You do their work, and they shall have good luck: 41 Are you not he? Fairy, thou speak'st aright; 115 [Exeunt. Quin. At the duke's oak we meet. АСТ П. SCENE I.-A Wood near Athens. Enter a Fairy on one side, and PUCK on the Puck. How now, spirit! whither wander you? Thorough bush, thorough brier, Thorough flood, thorough fire, 44 I am that merry wanderer of the night. 4 And 'tailor' cries, and falls into a cough; 8 12 48 And then the whole quire hold their hips and loff; And waxen in their mirth, and neeze, and I have forsworn his bed and company. 20 Take heed the queen come not within his sight; her joy. Obe. Tarry, rash wanton! am not I thy lord? And now they never meet in grove, or green, 28 fear, |