But hopes of life reviving from my wounds, I was preserved but to be made a slave. I often writ to my hard father, but never had ISA. What a world of woe Had been prevented but in hearing from you! ISA. You do not know how much I could have done; I would have sold myself to slavery, Without redemption; given up my child, The dearest part of me, to basest wants. ISA. My life, but to have heard You were alive. BIR. How does my child, my boy, my father too? I hear he's living stili. ISA. Well, both; both well; And may he prove a father o your hopes, Though we have found Lim n ne. BIR. Come, no more tears. ISA. Seven long years of sorrow for your loss Have mourned with me. BIR. And all my days to come Shall be employed in a kind recompense For thy afflictions. Can't I cce my boy? ISA. He's gone to bed; I'll have him brought to you. Myself, after this we.ry Lilgrimage. ISA. Alas! what shall I get for you? BIR. Nothing ut rest, my love. To-night I would not Be known, if possible, to your family: I see my nurse is with you; her welcome Would be tedious at this time; To-morrow will do better. ISA. I'll dispose of her, and order everything As you would have it. BIR. Grant me but life, good Heaven, and give the means To make this wondrous goodness some amends; And let me then forget her, if I can. Oh! she deserves of me much more than I Can lose for her, though I again could venture A father and his fortune for her love! You wretched fathers, blind as fortune all! Not to perceive that such a woman's worth Weighs down the portions you provide your sons. Enter ISABELLA. ISA. I have obeyed your pleasure; Everything is ready for you. BIR. I can want nothing here; possessing thee, All my desires are carried to their aim [Aside. [Exit. What Heaven could give I have enjoyed; but now And what's to come is a long life of woe; Yet I may shorten it I promised him to follow-him! Is he without a name? Biron, my husband- And yet a wife to neither. Hold, my brain- Works the right way to rid me of them all. All the reproaches, infamies, and scorns, That every tongue and finger will find for me. Let the just horror of my apprehensions But keep me warm; no matter what can come. NICHOLAS ROWE. [Exit Biron. [Weeping. NICHOLAS ROWE was also bred to the law, and forsook it for the tragic drama. He was born in 1673 or 1674 of a good family at Little Barford, in Bedfordshire. His father had an estate at Lamerton, in Devonshire, and was a serjeant-at-law in the Temple. Nicholas, during the earlier years of manhood, lived on a patrimony of £300 a year in chambers in the Temple. His first tragedy, The Ambitious Stepmother,' acted in 1700, was performed with great success; and it was followed by Tamerlane,' 'The Fair Penitent,' 'Ulysses,' The Royal Convert,' Jane Shore,' and 'Lady Jane Grey.' Rowe, on rising into fame as an author, was munificently patronized. The Duke of Queensberry made him his secretary for public affairs. On the accession of George I. he was made poet-laureate and a surveyor of customs; the Prince of Wales appointed him clerk of his council; and the Lord Chancellor gave him the office of clerk of the presentations. Rowe was a favourite in society. It is stated that his voice was uncommonly sweet, his observations lively, and his manners so engaging, that his friends, amongst whom were Pope, Swift, and Addison, delighted in his conversation Yet it is also reported by Spence, that there was a certain levity and carelessness about him, which made Pope, on one occasion, declare him to have no heart. Rowe was the first editor of Shakspeare entitled to the name, and the first to attempt the collection of a few biographical particulars of the immortal dramatist. He was twice married, and died in 1718. His widow-who afterwards married a Colonel Dean-received a pension from the crown, 'in consideration,' not of his dramatic genius, but of the translation of Lucan's "Pharsalia" made by her late husband!' The widow erected a handsome monument over her husband's grave in Westminster Abbey. In addition to the dramatic works we have enumerated, Rowe was the author of two volumes of miscellaneous poetry, which scarcely ever rises above dull and respectable mediocrity. His tragedies are passionate and tender, with an equable and smooth style of versification, not unlike that of Ford. His 'Jane Shore' is still occasionally performed, and is effective in the pathetic scenes descriptive of the sufferings of the heroine. The Fair Penitent' was long a popular play, and the gallant gay Lothario' was the prototype of many stage seducers and romance heroes. Richardson elevated the character in his Lovelace, giving at the same time a purity and sanctity to the sorrows of his Clarissa, which leave Row's Calista immeasurably behind. The incidents of Rowe's dramas are well arranged for stage effect; they are studied and prepared in the manner of the French school, and were adapted to the taste of the age. As the study of Shakspeare and the romantic drama has advanced in this country, Rowe has proportionally declined, and is now but seldom read or acted. His popularity in his own day is best seen in the epitaph by Pope-a beautiful and tender effusion of friendship, which, however, is perhaps not irreconcilable with the anecdote preserved by Spence: Thy relics, Rowe, to this sad shrine we trust, And near thy Shakspeare place thy honoured bust; To nobler sentiment to fire the brave, For never Britain more disdained a slave. Penitence and Death of Jane Shore. BELMOUR. How fare you, lady? JANE SHORE. My heait is thrilled with horror. Your husband lives! 'tis he, my worthiest friend. JANE S. Still art thou there ? still dost thou hover round me? Oh, save me, Belmour, from his angry shade! BEL. 'Tis he himself! he lives! look up. JANE S. I dare not. Oh, that my eyes could shut him out for ever! SHORE. Am I so hateful, then, so deadly to thee, Would I had ne'er survived to see thee more. JANE S. Oh! thou most injured-dost thou live, indeed? SHORE. Why dost thou turn away? Why tremble thus ? Cast every black and guilty thought behind thee, My arms, my heart, are opeu to receive thee, Now, while occasion seems to smile upon us, JANE S. Alas! I am woundrous faint: But that's not strange, I have not ate these three day JANE S. Oh! I'm sick at heart! SHORE. Thou murderous sorrow! Would thou still drink her blood, pursue her still? Must she then die? Oh, my poor penitent! Speak peace to thy sad heart: she hears me not: Enter CATESEY with a Guard. CATESBY. Seize on 'em both, as traitors to the state 1 [Guards lay hold on Share and Belmour. CATES. Have we not found you, In scorn of the Protector's strict command Assisting this base woman, and abetting Her infamy? SHORE. Infamy on thy head! Thou tool of power, thou pander to authority? I tell thee, knave, thou know'st of none so virtuous, CATES. You'll answer this at full: away with 'em. CATES. Convey the man to prison; but for her Leave her to hunt her fortune as she may. JANE S. I will not part with him: for me!-for me! Oh! must be die for me? [Following kim as he is carried off-she falls Stand off! the agonies of death are on her! [Breaks from the Guards She pulls, she gripes me hard with her cold hand. JANE S. Was this blow wanting to complete my ruin? Oh! let me go, ye ministers of terror. He shall offend no more, for I will die, And yield obedience to your cruel master SHORE. Oh, my love! JANE S. Forgive me! but forgive me! SHORE. Be winess for me, ye celestial host, Such mercy and such pardon as my soul Accords to thee, and begs of Heaven to shew thee, May such befall me at my latest hour, And make my portion b'est or curst for ever! JANE S. Then all is well, and I shall sleep in peace. "Tis very dark, and I have lost you now: Was there not something I would have bequeathed you? But I have nothing left me to bestow, Nothing but one sad sigh. Oh! mercy, Heaven ! Calista's Passion for Lothario. A Hall-CALISTA and LUCILLA. CALISTA. Be dumb for ever, silent as the grave, Nor let thy fond, officions love disturb My solemn sadness with the sound of joy. If thou wilt soothe me, tell some dismal tale Of pining discontent and black despair; For, oh! I've gone around throngh all my thoughts, And my dear peace of mind is lost for ever. LUCILLA. Why do yon follow still that wandering fire, That has misled your weary steps, and leaves you Benighted in a wilderness of wee, That false Lothario? Turn from the deceiver; Turn, and behold where gentle Altamont Sighs at your feet, and woos you to be happy. CAL. Away! I think not of him. My sad soul Has formed a dismal, melancholy scene, Such a retreat as I would wish to find; An unfrequented vale, o'ergrown with trees Ravens and birds ill-omened only dwell: No sound to break the silence, but a brook That bubbling winds among the weeds: no mark Unless the skeleton of some poor wretch Who had long since, like me, by love undone, Sought that sad place out to despair and die in. Luc. Alas! for pity. CAL There I fain would hide me. From the base world, from malice, and from shame; For 'tis the solemn counsel of my soul Never to live with public loss of honour: "Tis fixed to die, rather than bear the insolence Of each affected she that tells my story, And blesses her good stars that she is virtuous.] Luc. Oh! hear me, hear your ever-faithful creature;: [Dies. |