Westerns: Making the Man in Fiction and Film

Capa
University of Chicago Press, 15/11/1996 - 331 páginas
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films like Stagecoach to spaghetti Westerns like A Fistful of Dollars, Mitchell shows how Westerns helped assuage a series of crises in American culture. This landmark study shows that the Western owes its perennial appeal not to unchanging conventions but to the deftness with which it responds to the obsessions and fears of its audience. And no obsession, Lee Mitchell argues, has figured more prominently in the Western than what it means to be a man.

"Elegantly written. . . . provocative . . . characterized by [Mitchell's] own tendency to shoot from the hip."—J. Hoberman, London Review of Books

"[Mitchell's] book would be worth reading just for the way he relates Benjamin Spock's Baby and Child to the postwar Western."—The Observer

"Integrating a careful handling of historical context with a keen eye for textual nuances, Mitchell reconstructs the Western's aesthetic tradition of the 19th century."—Aaron M. Wehner, San Francisco Review

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Índice

2
28
3
56
Sexual Equality
94
White Slaves in Purple Sage
120
A Man Being Beaten
150
7
188
Violence Begets
222
9
256
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Página 309 - There is a sensible way of treating children. Treat them as though they were young adults. Dress them, bathe them with care and circumspection. Let your behavior always be objective and kindly firm. Never hug and kiss them, never let them sit in your lap. If you must, kiss them once on the forehead when they say good night. Shake hands with them in the morning.

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