ShakespeareLongmans, Green, 1953 - 272 páginas |
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Página 108
... give the impression that they also coincide . And what is true of Shakespeare is true of others ; Time for the Elizabethans is a servant not a tyrant . It is a dramatic conven- tion and must be regarded as such , but a pliable , supple ...
... give the impression that they also coincide . And what is true of Shakespeare is true of others ; Time for the Elizabethans is a servant not a tyrant . It is a dramatic conven- tion and must be regarded as such , but a pliable , supple ...
Página 175
... give another play its vaguely unreal character , that certain images of birds and insects have strange symbolical connotations - often unex- pectedly contrasted , which gives added force to the tragic effect -and that the two opposite ...
... give another play its vaguely unreal character , that certain images of birds and insects have strange symbolical connotations - often unex- pectedly contrasted , which gives added force to the tragic effect -and that the two opposite ...
Página 267
... give Shakespeare's Works a complete and harmonious meaning . If The Tempest contains a final message , it can only be this . In Prospero's view there is no heart - rending conflict . There is the knowledge of good and evil , the ...
... give Shakespeare's Works a complete and harmonious meaning . If The Tempest contains a final message , it can only be this . In Prospero's view there is no heart - rending conflict . There is the knowledge of good and evil , the ...
Índice
PART TWO TECHNIQUE | 77 |
THE CHARACTERS | 129 |
PART THREE THE THEMES | 187 |
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Palavras e frases frequentes
action ambition Antony Antony and Cleopatra attitude beauty bethan blood characters classical Cleopatra comedy complete conventions Coriolanus Cressida crime critical death despair destiny disorder dramatist Duchess of Malfi effects emotion English evil experience expression faith fate fear feeling French ghosts give Hamlet hatred heart Henry hero honour human images imagination irony Jacobean King Lear L. C. Knights Lady Macbeth language logic lyrical Machiavelli madness Marlowe Marlowe's meaning Measure for Measure merely metaphor metaphysical mind moral murder nature night Othello passion personages pity play plot poet poetic poetry political Prince problem realism reality reason revenge rhetoric rhythm Richard Richard III romantic scene Seneca Shakespeare soul speech spirit stage style supreme symbolical T. S. Eliot takes Tamburlaine theatre themes thought Timon Timon of Athens tion tone tragedy tragic triumph Troilus Troilus and Cressida unity universe verse virtue whole Wilson Knight words